Tennyson's Rapture: Transformation in the Victorian Dramatic MonologueOxford University Press, 29 ian. 2008 - 408 pagini In the wake of the death of his friend Arthur Henry Hallam, the subject of In Memoriam, Alfred Tennyson wrote a range of intricately connected poems, many of which feature pivotal scenes of rapture, or being carried away. This book explores Tennyson's representation of rapture as a radical mechanism of transformation-theological, social, political, or personal-and as a figure for critical processes in his own poetics. The poet's fascination with transformation is figured formally in the genre he is credited with inventing, the dramatic monologue. Tennyson's Rapture investigates the poet's previously unrecognized intimacy with the theological movements in early Victorian Britain that are the acknowledged roots of contemporary Pentacostalism, with its belief in the oncoming Rapture, and its formative relation to his poetic innovation. Tennyson's work recurs persistently as well to classical instances of rapture, of mortals being borne away by immortals. Pearsall develops original readings of Tennyson's major classical poems through concentrated attention to his profound intellectual investments in advances in philological scholarship and archeological exploration, including pressing Victorian debates over whether Homer's raptured Troy was a verifiable site, or the province of the poet's imagination. Tennyson's attraction to processes of personal and social change is bound to his significant but generally overlooked Whig ideological commitments, which are illuminated by Hallam's political and philosophical writings, and a half-century of interaction with William Gladstone. Pearsall shows the comprehensive engagement of seemingly apolitical monologues with the rise of democracy over the course of Tennyson's long career. Offering a new approach to reading all Victorian dramatic monologues, this book argues against a critical tradition that sees speakers as unintentionally self-revealing and ignorant of the implications of their speech. Tennyson's Rapture probes the complex aims of these discursive performances, and shows how the ambitions of speakers for vital transformations in themselves and their circumstances are not only articulated in, but attained through, the medium of their monologues. |
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Pagina 15
... suasive speech: speakers attempt to provoke transformation by way of their monologues, in the course of their monologues. In this study I look to Victorian theories of oratory, of public eloquence that aims to persuade, but it is ...
... suasive speech: speakers attempt to provoke transformation by way of their monologues, in the course of their monologues. In this study I look to Victorian theories of oratory, of public eloquence that aims to persuade, but it is ...
Pagina 16
... suasive speech, on the other hand, seeks not only to appeal to “other minds,” but also to change those minds, to influence or move them “to passion or action.” Mill's own eloquence goes far in carrying his point, but just as he was ...
... suasive speech, on the other hand, seeks not only to appeal to “other minds,” but also to change those minds, to influence or move them “to passion or action.” Mill's own eloquence goes far in carrying his point, but just as he was ...
Pagina 17
... suasive imperative: each conceives, because each must, of the uses and indeed the necessity for his eloquence, the verbal felicity that can constitute suasive force. At the least, each speaker desires to set in motion a series of ...
... suasive imperative: each conceives, because each must, of the uses and indeed the necessity for his eloquence, the verbal felicity that can constitute suasive force. At the least, each speaker desires to set in motion a series of ...
Pagina 19
... suasive speech. Contrary to the long-standing critical assumption that sees dramatic monologists as inadvertent in their revelations and ignorant of the consequences of their speech, my argument holds that each speaker is keenly aware ...
... suasive speech. Contrary to the long-standing critical assumption that sees dramatic monologists as inadvertent in their revelations and ignorant of the consequences of their speech, my argument holds that each speaker is keenly aware ...
Pagina 20
... suasive speech has become obscured, with significant implications for our understanding of this poetic kind. Culler suggests that the genre's origins lie in the classical rhetorical form of prosopopoeia, or impersonation, a term he ...
... suasive speech has become obscured, with significant implications for our understanding of this poetic kind. Culler suggests that the genre's origins lie in the classical rhetorical form of prosopopoeia, or impersonation, a term he ...
Cuprins
3 | |
15 | |
UNREAL CITY VICTORIANS IN TROY | 121 |
THE RAPTURE OF THE SONGBUILT CITY | 205 |
Tennysons Apotheosis | 339 |
Notes | 351 |
Index | 385 |
Alte ediții - Afișează-le pe toate
Tennyson's Rapture: Transformation in the Victorian Dramatic Monologue Cornelia D. J. Pearsall Previzualizare limitată - 2008 |
Tennyson's Rapture: Transformation in the Victorian Dramatic Monologue Cornelia D. J. Pearsall Previzualizare limitată - 2008 |
Tennyson's Rapture: Transformation in the Victorian Dramatic Monologue Cornelia D. J. Pearsall,Cornelia Pearsall Previzualizare limitată - 2008 |
Termeni și expresii frecvente
Achilles Aeneas aesthetic Alfred Tennyson ambition Apollo appears argues aristocratic Arthur Hallam Arthur Henry Hallam articulation attain audience auditors Aurora beauty become blank verse calls Cambridge Apostles Carlyle Christ claims classical critical death debate describes desire discursive divine dramatic monologists dramatic monologue early essay example father figure Fredeman genre Gladstone Gladstone’s God’s gods grasshopper Greek hear Homer Iliad Ilion imagines immortality Irving letter lines literary Lotos-Eaters lyric Memnon Memoir Menœceus monologist monologue’s notes nyson Oenone orator oratorical Paris performance pillar poem’s poet poet’s poetic poetry political Priam Quintilian rapture readers Reform resemblance rhetorical saints Schliemann seeks seems sense Simeon Stylites simile similitude song song-built sound speaker speaking speech suasive Tennyson Tennyson’s dramatic Tennyson’s poems Tennyson’s Ulysses Thirlwall thou tion Tiresias Tiresias’s Tithonus Tithonus’s trans transformation translation Trench Trojan Troy Troy’s Ulysses University Press utterance Victorian voice walls Whig words writes wrote