Playwriting, Volumul 10Crowell, 1961 - 386 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 51
Pagina 159
... course of the play — a list such as we began to make for Hamlet ; the list , of course , should in- clude all the facts of which you are reasonably sure , down to the final curtain . When you have decided where your opening sit- uation ...
... course of the play — a list such as we began to make for Hamlet ; the list , of course , should in- clude all the facts of which you are reasonably sure , down to the final curtain . When you have decided where your opening sit- uation ...
Pagina 183
... course , a certain shifting of scene . For example , the camera may wish to follow a character out of a room into the hallway , to the doors of the elevator , and into the elevator itself — provided that there is a dramatic reason for ...
... course , a certain shifting of scene . For example , the camera may wish to follow a character out of a room into the hallway , to the doors of the elevator , and into the elevator itself — provided that there is a dramatic reason for ...
Pagina 254
... course , " " by the way , " " so I hear , " it is , for example , wise to make them truly parenthetical by tucking them in somewhere before the conclusion of a speech . As an ending for a given speech : You're bound to hear from him , I ...
... course , " " by the way , " " so I hear , " it is , for example , wise to make them truly parenthetical by tucking them in somewhere before the conclusion of a speech . As an ending for a given speech : You're bound to hear from him , I ...
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Termeni și expresii frecvente
acter Aeschylus ALGERNON audience become beginning Behrman's Biography Cecily central character Chalk Garden char CHARLIE CHASUBLE Cherry Orchard Claudius comedy comes Cordelia course curtain Cyrano Cyrano de Bergerac daughter Desdemona dialogue drama dramatist Driscoll Earnest example fact farce farmer's daughter father feel full-length play Gwendolen Hamlet Hedda Gabler HELMER Hippolytus Hobart Ibsen identify important incident interest Jack JERRY kill King King Lear KURT Lady Bracknell Lael Lear look Lovborg lovers Macbeth MARION marriage marry material matter melodrama MISS PRISM murder never NOLAN NORA novel one-act play onstage Othello passage PETER Phaedra plot Polonius possible present Proposition and climax Purvis resulting action Romeo and Juliet Rosalind scene script second character Shakespeare situation Smitty Smitty's Sophocles speak speech stage story subplot Symbolism talk tells TESMAN theater theme thing thou tion tragedy tragic hero Tybalt wife Willens woman words write young