Four Comedies: The Taming of the Shrew, A Midsummer Night's Dream, The Merchant of Venice, Twel fth NightRandom House Publishing Group, 26 aug. 2009 - 736 pagini The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Pagina cccxvi
... Gratiano's wooing 0f Nerissa, Jessica's elopement with Lorenzo, Lancelot Gobbo's changing 0f masters, and the episode of the rings. In all these stories, a Christian ethic of generosity, love, and risk-taking friendship is set in ...
... Gratiano's wooing 0f Nerissa, Jessica's elopement with Lorenzo, Lancelot Gobbo's changing 0f masters, and the episode of the rings. In all these stories, a Christian ethic of generosity, love, and risk-taking friendship is set in ...
Pagina cccxviii
... Gratiano. “They lose it that do buy it with much care” (1.1.74-5). Portia and Jessica, too, are at first afflicted by a melancholy that 51ет5 110т 111е incompleteness of living isolated lives, with insufficient opportunities for love.
... Gratiano. “They lose it that do buy it with much care” (1.1.74-5). Portia and Jessica, too, are at first afflicted by a melancholy that 51ет5 110т 111е incompleteness of living isolated lives, with insufficient opportunities for love.
Pagina cccxxvi
... Gratiano at the conclusion of the trial? Because he stands outside Christian faith, Shylock can provide a perspective whereby we see the hypocrisies of those who profess a higher ethical code. Nevertheless, Shylock's compulsive desire ...
... Gratiano at the conclusion of the trial? Because he stands outside Christian faith, Shylock can provide a perspective whereby we see the hypocrisies of those who profess a higher ethical code. Nevertheless, Shylock's compulsive desire ...
Pagina cccxxviii
... Gratiano. The two husbands, wh0 have vowed never to part with these wedding rings, must therefore choose between love and friendship. Portia knows well enough that Bassanio'5 0Ье111е11се 10 111е Neoplatonic ideal of disinterested ...
... Gratiano. The two husbands, wh0 have vowed never to part with these wedding rings, must therefore choose between love and friendship. Portia knows well enough that Bassanio'5 0Ье111е11се 10 111е Neoplatonic ideal of disinterested ...
Pagina cccxxix
... Gratiano. Bassanio's marriage to Portia represents a heterosexual fulfillment of their courtship that leaves Antonio without a partner at the play's end. He 15, to be sure, included in the camaraderie of Belmont, but a part 01 1110 ...
... Gratiano. Bassanio's marriage to Portia represents a heterosexual fulfillment of their courtship that leaves Antonio without a partner at the play's end. He 15, to be sure, included in the camaraderie of Belmont, but a part 01 1110 ...
Alte ediții - Afișează-le pe toate
Four Comedies: The Taming of the Shrew/a Midsummer Night's Dream/the ... William Shakespeare Nu există previzualizare disponibilă - 1988 |
Termeni și expresii frecvente
actors Antonio Athens audience BAPTISTA Bassanio Bianca BIONDELLO BOTTOM Christian comedy daughter Demetrius director doctor of laws doth Duke Egeus Enter Exeunt Exit eyes FABIAN fair fairies father FESTE film fool friends gentleman give GOBBO GRATIANO GREMIO hast hath hear heart Helena Hermia Hippolyta HORTENSIO husband Jessica Julina Kate KATHARINA lady Lancelot lion look lord LORENZO lovers Lucentio Lysander madam MALVOLIO MARIA marriage marry master Merchant of Venice Midsummer Night’s Dream mistress moon Nerissa never o’er Oberon OLIVIA ORSINO PETRUCHIO play’s PORTIA pray production Puck Pyramus and Thisbe Queen QUINCE SALERIO Sebastian servant Shakespeare Shakespeare’s play Shrew Shylock Signor Ansaldo Signor Giannetto Silla Silvio SIR ANDREW SIR TOBY sleep SOLANIO speak stage swear sweet Taming tell theater thee There’s THESEUS thou art Thou shalt Titania TRANIO Twelfth Night unto Vincentio VIOLA What’s wife young апс1