« ÎnapoiContinuați »
Good angels keep it from us ! Where may it be ? You do not doubt my faith, sir?
2 Gent. This secret is so weighty, 'twill require A strong faith' to conceal it. 1 Gent.
Let me have it;
I am confident ;
Yes, but it held not:
But that slander, sir, Is found a truth now: for it grows again Fresher than e'er it was; and held for certain', The king will venture at it. Either the cardinal, Or some about him near, have, out of malice To the good queen, possess'd him with a scruple, That will undo her: To confirm this too, Cardinal Campeius is arriv'd, and lately; As all think, for this business. 1 GENT.
"Tis the cardinal And merely to revenge him on the emperor, For not bestowing on him, at his asking, The archbishoprick of Toledo, this is purpos d. 2 Gent. I think, you have hit the mark: But is't
not cruel, That she should feel the smart of this? The cardinal Will have his will, and she must fall.
9 - strong faith-] Is great fidelity. JOHNSON.
1 — and help for certain,] To hold, is to believe. So, in Lord Surrey's translation of the fourth Æneid : “ I hold thee not, nor yet gainsay thy words."
1 GENT. We are too open here to argue this; Let's think in private more.
An Ante-chamber in the Palace. Enter the Lord Chamberlain, reading a Letter.
Cham. My Lord,—The horses your lordship sent for, with all the care I had, I saw well chosen, ridden, and furnished. They were young, and handsome; and of the best breed in the north. When they were ready to set out for London, a man of my lord cardinals, by commission, and main power, took 'em from me; with this reason, -His master would be served before a subject, if not before the king : which stopped our mouths, sir. I fear, he will, indeed : Well, let him have them : He will have all, I think.
Enter the Dukes of NORFOLK and SUFFOLK.
I left him private,
What's the cause ? Cham. It seems, the marriage with his brother's
wife Has crept too near his conscience. SUF.
No, his conscience Has crept too near another lady.
2 Well met, my GOOD
Lord chamberlain.] The epithet-good, was inserted by Sir Thomas Hanmer, for the sake of measure. Steevens.
Nor. This is the cardinal's doing, the king-cardinal : That blind priest, like the eldest son of fortune, Turns what he list'. The king will know him one
day. Sur. Pray God, he do! he'll never know himself
else. Nor. How holily he works in all his business! And with what zeal! For, now he has crack'd the
league Between us and the emperor, the queen’s great
nephew, He dives into the king's soul; and there scatters Dangers, doubts, wringing of the conscience, Fears, and despairs, and all these for his marriage : And, out of all these to restore the king, He counsels a divorce: a loss of her, That, like a jewel, has hung twenty years About his neck, yet never lost her lustre * ; Of her, that loves him with that excellence That angels love good men with; even of her That, when the greatest stroke of fortune falls, Will bless the king : And is not this course pious ? Cham. Heaven keep me from such counsel ! "Tis
most true, These news are every where ; every tongue speaks
them, And every true heart weeps fort : All, that dare Look into these affairs, see this main end, —
3 Turns what he list.) So the old copy. The modern editors have altered it to lists, but the original reading was the phraseology of Shakspeare. So, a few lines after this:
All men's honours
“ Into what pitch he please.” MALONE. 4 That, like a jewel, has hung twenty years, &c.] See vol. xiv. p. 264, n. 2. MALONE.
see this main end,] Thus the old copy. All, &c. per
The French king's sistero. Heaven will one day open
And free us from his slavery.
For me, my lords, I love him not, nor fear him ; there's my creed : As I am made without him, so I'll stand, If the king please ; his curses and his blessings Touch me alike, they are breath I not believe in. I knew him, and I know him ; so I leave him To him, that made him proud, the pope. Nor.
Let's in. And, with some other business, put the king From these sad thoughts, that work too much
upon him :
ceive this main end of these counsels, namely, the French king's sister. The editor of the fourth folio and all the subsequent editors read--his; but y' or this were not likely to be confounded with his. Besides, the King, not Wolsey, is the person last mentioned ; and it was the main end or object of Wolsey to bring about a marriage between Henry and the French king's sister. End has already been used for cause, and may be so here. See
• The cardinal is the end of this.” Malone. 6 The French king's sister.) i. e. the Duchess of Alençon.
STEEVENS. 7 From princes into pages :] This may allude to the retinue of the Cardinal, who had several of the nobility among his menial servants. Johnson.
8 Into what pitch he please.] The mast must be fashioned into pitch or height, as well as into particular form. The meaning is, that the Cardinal can, as he pleases, make high or low.
My lord, you'll bear us company ?
[Exit Lord Chamberlain. NORFOLK opens a folding-door. The King is dis
covered sitting, and reading pensively $. Sur. How sad he looks ! sure, he is much
afflicted. K. Hen. Who is there ? ha ? Nor.
'Pray God, he be not angry. K. Hen. Who's there, I say? How dare you
thrust yourselves Into my private meditations ? Who am I? ha?
Nor. A gracious king, that pardons all offences Malice ne'er meant : our breach of duty, this way,
8 The stage direction, in the old copy, is a singular one. “Exit Lord Chamberlain, and the King draws the curtain, and sits reading pensively." Steevens.
This stage direction was calculated for, and ascertains precisely the state of, the theatre in Shakspeare's time. When a person was to be discovered in a different apartment from that in which the original speakers in the scene are exhibited, the artless mode of our author's time was, to place such person in the back part of the stage, behind the curtains, which were occasionally suspended across it. These the person who was to be discovered, (as Henry, in the present case,) drew back just at the proper time. Mr. Rowe, who seems to have looked no further than the modern stage, changed the direction thus : “ The scene opens, and discovers the King," &c. but, besides the impropriety of introducing scenes when there were none, such an exhibition would not be proper here, for Norfolk has just said—“ Let's in,”-and therefore should himself do some act, in order to visit the King. This, indeed, in the simple state of the old stage, was not attended to; the King very civilly discovering himself. See An Account of our old Theatres, vol. iii. Malone.