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Grey. Now Margaret's curse is fallen upon our
Rat. Make haste, the hour of death is expiate?.
? Make haste, the hour of death is expiate.] Thus the folio. The quarto furnishes a line that has occurred already:
Come, come, despatch ; the limit of your lives is out.” Expiate is used for expiated ; so confiscate, contaminate, consummate, &c. &c. It seems to mean, fully completed, and ended. Shakspeare has again used the word in the same sense in his 22d Sonnet:
“ Then look I death my days should expiate." So, in Locrine, 1595 :
" Lives Sabren yet, to expiate my wrath." The editor of the second folio, who altered whatever he did not understand, reads arbitrarily
“ Despatch ; the hour of death is now expir'd.” and he has been followed by all the njodern editors. Malone.
“ – the hour of death is expiate.” As I cannot make sense of this, I should certainly read, with the second folio:
the hour of death is now expired." meaning the hour appointed for his death. The passage quoted by Mr. Malone from Locrine, is nothing to the purpose, for there, to expiate means to atone for, or satisfy. M. MASON,
I do not well understand the reading which Mr. Malone prefers, though I have left it in the text. Perhaps we should read:
the hour of death is expirate," which accords with Shakspeare's phraseology, and needs no explanation. Thus, in Romeo and Juliet :
and expire the term “Of a despised life," Steevens. Mr. Mason, who, I believe, was not possessed of any of the ancient copies, seems always to set them at defiance. Even if the passage quoted from Locrine did not apply, that from our author's
Riv. Come, Grey,-come, Vaughan,- let us here
embrace: Farewell, until we meet again in heaven. [Ereunt.
London. A Room in the Tower. .
BUCKINGHAM, STANLEY, Hastings, the Bishop of
ELY, CATESBY, Lovel, and Others, sitting at a
Buck. Are all things ready for that royal time?
own Sonnets appears to me decisive of the meaning with which he used the word. Malone.
3 - Bishop of Ely,] Dr. John Morton ; who was elected to that see in 1478. He was advanced to the see of Canterbury in 1486, and appointed Lord Chancellor in 1487. He died in the year 1500. This prelate, Sir Thomas More tells us, first devised the scheme of putting an end to the long contest between the houses of York and Lancaster, by a marriage between Henry Earl of Richmond, and Elizabeth, the eldest daughter of Edward IV. and was a principal agent in procuring Henry when abroad to enter into a covenant for that purpose. Malone.
* — and wants but nomination.] i. e. the only thing wanting, is appointment of a particular day for the ceremony. STEEVENS.
s-inward-] i. e, intimate, confidential. So, in Measure for Measure:
“Sir, I was an inward of his." STEEVENS.
Ely. Your grace, we think, should soonest know
his mind. Buck. We know each other's faces: for our
himself. Glo. My noble lords and cousins, all, good
morrow: I have been long a sleeper; but, I trust, My absence doth neglect no great design, Which by my presence might have been concluded. Buck. Had you not come upon your cue', my
lord, William lord Hastings had pronounc'd your part,I mean, your voice,- for crowning of the king. Glo. Than my lord Hastings, no man might be
bolder ; 6 Had you not come upon your cue] This expression is borrowed from the theatre. The cue, queue, or tail of a speech, consists of the last words, which are the token for an entrance or answer. To come on the cue, therefore, is to come at the proper time.
JOHNSON. So, in a Midsummer Night's Dream, Quince says to Flute“You speak all your part at once, cues and all." STEEVENS.
His lordship knows me well, and loves me well.
Hast. I thank your graceo.
Glo. My lord of Ely, when I was last in Holborn, I saw good strawberries’ in your garden there; I do beseech you, send for some of them. Ely. Marry, and will, my lord, with all my heart.
[Exit Elr. Glo. Cousin of Buckingham, a word with you.
[Takes him aside. Catesby hath sounded Hastings in our business; And finds the testy gentleman so hot, That he will lose his head, ere give consent, His master's child, as worshipfully he terms it, Shall lose the royalty of England's throne. Buck. Withdraw yourself awhile, I'll go with you.
[Exeunt Gloster and BuckingHAM. Stan. We have not yet set down this day of
6 Hast. I thank your grace.] This little speech I have restored from the original quarto 1597. MALONE.
7 I saw good strawberries-] The reason why the bishop was despatched on this errand, is not clearer in Holinshed, from whom Shakspeare adopted the circumstances, than in this scene, where it is introduced. Nothing seems to have happened which might not have been transacted with equal security in the presence of the reverend cultivator of these strawberries, whose complaisance is likewise recorded by the author of the Latin play on the same subject, in the British Museum :
Eliensis antistes venis ? senem quies,
Quo sim tibi gratus. This circumstance of asking for the strawberries, however, may have been mentioned by the historians merely to show the unusual affability and good humour which the dissembling Gloster affected at the very time when he had determined on the death of Hastings. Steevens.
To-morrow, in my judgment, is too sudden;
Re-enter Bishop of Ely.
morning; There's some conceit or other likes him well When he doth bid good morrow with such spirit. I think, there's ne'er a man in Christendom, Can lesser hide his love, or hate, than he; For by his face straight shall you know his heart.
Stan. What of his heart perceive you in his face, By any likelihood' he show'd to-day? Hast. Marry, that with no man here he is
offended; For, were he, he had shown it in his looks. Stan. I pray God he be not, I say?.
• First folio, Where is the Duke of Gloster? There's some concert or other likes him well,] Conceit is thought. So, in Pericles, Prince of Tyre, 1609 :
“Here is a thing too young for such a place,
Who, if it had conceit, would die.” Malone. Conceit, as used by Hastings, I believe signifies-pleasant idea or fancy. So Falstaff, speaking of Poins,—“ He a good wit ?there is no more conceit in him, than is in a mallet." Steevens. 9
likelihood-] Semblance; appearance. Johnson. So, in another of our author's plays : -poor likelihoods, and modern seemings."
STEEVENS. The passage referred to by Mr. Steevens is in Othello :
To vouch this is no proof,
likelihoods “ Of modern seeming." Thus the quarto. The folio reads-livelihood. Malone.
I pray God he be not, I say.) This speech I have restored from the quarto 1597. MALONE.