William Shakespeare, Richard IIMartin Coyle Columbia University Press, 1999 - 192 pagini This Columbia Critical Guide steers a clear path through the huge body of critical material on Richard II that has accrued over the past three centuries, elucidating the play's reception by audiences, critics, and scholars since its first production. Beginning with a discussion of early commentaries, the book presents and addresses the most significant critical arguments to give the reader a clear understanding of the ways in which each generation has sought to invest Richard II with new meaning. The final section considers the radical new reading of Shakespeare's work provided by contemporary critics. |
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... adaptations of Shakespeare's work and the implications of Neo - Classical criticism . Extracts from Nahum Tate's adaptation of the play and from John Dryden's discussion of tragedy . CHAPTER THREE Romantic Criticism 58 Considers the ...
... adaptations of Shakespeare's work and the implications of Neo - Classical criticism . Extracts from Nahum Tate's adaptation of the play and from John Dryden's discussion of tragedy . CHAPTER THREE Romantic Criticism 58 Considers the ...
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Cuprins
INTRODUCTION | 5 |
CHAPTER TWO | 37 |
CHAPTER THREE | 58 |
CHAPTER FOUR | 81 |
CHAPTER FIVE | 102 |
CHAPTER SIX | 126 |
Discusses the new readings offered by New Criticism exploring the plays | 144 |
NOTES | 178 |
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
action adaptation analysis Andrew Gurr audience Bate begins Bishop of Carlisle Bolingbroke Bullingbrook ceremony chapter character Coleridge Coleridge's context crown culture debate deposed deposition divine right drama Duchess E. M. W. Tillyard edition eighteenth century Elizabeth Elizabethan England English essay Essex extract feeling feudal Flint Castle garden Gaunt grief Hazlitt Henry Henry IV Henry VI ideas Jan Kott King Lear King Richard king's kingship language London look Lord majesty Manchester meaning medieval mind monarch Mowbray nature Neo-Classical criticism Neo-Classicism Northumberland Pater performance play's poet poetic political Queen reading rebellion reign Renaissance role Romantic criticism royal scene Schlegel sense Shakespeare Shakespeare's History Plays Shakespeare's play Shewring speech stage suggests Tate Tate's tetralogy theatre thinking thou throne Tillyard tion tragedy tragic Tudor unity University Press usurper Vickers W. B. Yeats Walter Pater William Shakespeare words Yeats York
Referințe la această carte
The Cambridge Companion to Shakespeare's History Plays Michael Hattaway Previzualizare limitată - 2002 |