Some Shakespearean Themes |
Din interiorul cărții
Rezultatele 1 - 3 din 19
Pagina 213
( In the Furness Variorum edition the text com- pletely disappears for a couple of pages whilst a foot- note marshals conflicting interpretations of the opening and general tenor ; at a rough estimate the 34 lines of the soliloquy have ...
( In the Furness Variorum edition the text com- pletely disappears for a couple of pages whilst a foot- note marshals conflicting interpretations of the opening and general tenor ; at a rough estimate the 34 lines of the soliloquy have ...
Pagina 222
What the soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of conscious- ness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region ...
What the soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of conscious- ness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region ...
Pagina 225
Since the author of Henry IV , Part I , was not likely to be uncritical of such ' honour ' , nor to believe that the ambition prompting Fortinbras was indeed divine , the purpose of the soliloquy can only be to define one further stage ...
Since the author of Henry IV , Part I , was not likely to be uncritical of such ' honour ' , nor to believe that the ambition prompting Fortinbras was indeed divine , the purpose of the soliloquy can only be to define one further stage ...
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole