Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 5
... poetry those characteristics which T. S. Eliot and his followers have decided must be present in all pure poetry . They assume therefore that Shakespeare , like Donne , con- structed an integrated system of connotation based on the ...
... poetry those characteristics which T. S. Eliot and his followers have decided must be present in all pure poetry . They assume therefore that Shakespeare , like Donne , con- structed an integrated system of connotation based on the ...
Pagina 8
... poetry ; but the kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and ...
... poetry ; but the kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and ...
Pagina 111
... poetry , to such things as the sickening see - saw rhythm ( Cannot be ill ; cannot be good ... ' ) changing to the rhythm of the pounding heart , the over - riding of grammar ( ' My thought , whose murder yet is but fantastical ' ) as ...
... poetry , to such things as the sickening see - saw rhythm ( Cannot be ill ; cannot be good ... ' ) changing to the rhythm of the pounding heart , the over - riding of grammar ( ' My thought , whose murder yet is but fantastical ' ) as ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words