Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 71
... play leaves us . That , however , was not where Shakespeare was con- tent to leave himself for long . Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's ...
... play leaves us . That , however , was not where Shakespeare was con- tent to leave himself for long . Troilus and Cressida implies more than it contrives to say ; and what it implies may be best seen if we consider again the play's ...
Pagina 128
... play . It is this that makes the play's irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of ...
... play . It is this that makes the play's irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of ...
Pagina 245
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the deliberate ... play's many ironies that these lines occur when Ulysses is in process of revealing himself as head of the 245 NOTES.
... play is not peculiar in this . Where it is peculiar is in the formal debating of the issues , and in the deliberate ... play's many ironies that these lines occur when Ulysses is in process of revealing himself as head of the 245 NOTES.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words