Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 26
... man a coward . . . ' Tis a blushing shamefast spirit , that mutinies in a man's bosom ; it fills a man full of obstacles ... it is turn'd out of towns and cities for a dangerous thing ; and every man that means to live well endeavours ...
... man a coward . . . ' Tis a blushing shamefast spirit , that mutinies in a man's bosom ; it fills a man full of obstacles ... it is turn'd out of towns and cities for a dangerous thing ; and every man that means to live well endeavours ...
Pagina 181
... man's ghost . It is of course important not to rewrite Shakespeare's plays for him but to follow his lead as closely as we may . But the emphasis here is indeed Shakespeare's . As C. S. Lewis says , " The Hamlet formula , so to speak ...
... man's ghost . It is of course important not to rewrite Shakespeare's plays for him but to follow his lead as closely as we may . But the emphasis here is indeed Shakespeare's . As C. S. Lewis says , " The Hamlet formula , so to speak ...
Pagina 221
... man a coward . . . ' Tis a blushing shamefast spirit , that mutinies in a man's bosom ; it fills a man full of obstacles : it is turn'd out of towns and cities for a dangerous thing ; and every man that means to live well endeavours to ...
... man a coward . . . ' Tis a blushing shamefast spirit , that mutinies in a man's bosom ; it fills a man full of obstacles : it is turn'd out of towns and cities for a dangerous thing ; and every man that means to live well endeavours to ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words