Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 9
... living struc- ture . If that structure of meaning seems especially closely connected with recurring and inter - related imagery , that is not because possible associations and recurrences are puzzled out by the intellect , but because ...
... living struc- ture . If that structure of meaning seems especially closely connected with recurring and inter - related imagery , that is not because possible associations and recurrences are puzzled out by the intellect , but because ...
Pagina 14
... living and complex that when we are engaged in it , living it to the full extent of our powers , we have no need of token definitions . It is only later , when we wish to give others some account of the experience to which we have ...
... living and complex that when we are engaged in it , living it to the full extent of our powers , we have no need of token definitions . It is only later , when we wish to give others some account of the experience to which we have ...
Pagina 194
... living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made bearable , unfrightening , positively inviting ...
... living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made bearable , unfrightening , positively inviting ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words