Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina ix
... kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play ... the themes become more and more closely associated with ...
... kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play ... the themes become more and more closely associated with ...
Pagina 8
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
Pagina 122
... kind simple formulations have their uses , if only as a way of ensuring that necessary complex- ity has not , in the course of argument , degenerated into mere verbal complication , or that mountains are not being made out of molehills ...
... kind simple formulations have their uses , if only as a way of ensuring that necessary complex- ity has not , in the course of argument , degenerated into mere verbal complication , or that mountains are not being made out of molehills ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words