Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 14
Pagina 6
... insistence on ' unnatural deeds ' so pervasive throughout the play that illustration is unneces- sary . And the violence expressed by Lady Macbeth is directed not only towards others but towards herself . She is attempting , as she bids ...
... insistence on ' unnatural deeds ' so pervasive throughout the play that illustration is unneces- sary . And the violence expressed by Lady Macbeth is directed not only towards others but towards herself . She is attempting , as she bids ...
Pagina 43
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
Pagina 124
... insistence . At the end of the play , when Macbeth thinks of what he has lost , it is not ' honour , wealth and ease in waning age ' ( Lucrece , 1. 142 ) but 1 that which should accompany old age , As honour , 124 SOME SHAKESPEAREAN THEMES.
... insistence . At the end of the play , when Macbeth thinks of what he has lost , it is not ' honour , wealth and ease in waning age ' ( Lucrece , 1. 142 ) but 1 that which should accompany old age , As honour , 124 SOME SHAKESPEAREAN THEMES.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words