Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
Pagina 49
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
Pagina 198
... imaginative facts as we know them ; for what it ignores is the pain and the passion - the genuine pain of loss and the genuine passion of revulsion against what is really evil . Max Plowman perhaps , in an essay called ' Some Values in ...
... imaginative facts as we know them ; for what it ignores is the pain and the passion - the genuine pain of loss and the genuine passion of revulsion against what is really evil . Max Plowman perhaps , in an essay called ' Some Values in ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words