Some Shakespearean Themes |
Din interiorul cărții
Rezultatele 1 - 3 din 29
Pagina 5
But Shakespeare seems never to have manipulated his imagery in this consciously scheming fashion . His poetry rather gives the effect of a spontaneous eruption from that secret region of the mind where the imagin- ative impulse is ...
But Shakespeare seems never to have manipulated his imagery in this consciously scheming fashion . His poetry rather gives the effect of a spontaneous eruption from that secret region of the mind where the imagin- ative impulse is ...
Pagina 6
[ 4 ] It is the function of imagery that Professor Campbell is mainly concerned with . Let us take one of his own examples . He refers us to Lady Macbeth's words to her husband , - I have given suck , and know How tender ' tis to love ...
[ 4 ] It is the function of imagery that Professor Campbell is mainly concerned with . Let us take one of his own examples . He refers us to Lady Macbeth's words to her husband , - I have given suck , and know How tender ' tis to love ...
Pagina 9
The compression , the thick clusters of imagery ( with rapidly changing metaphors completely superseding the similes and drawn - out figures to be found in the earlier plays ) , the surprising juxtapositions , the over - riding of ...
The compression , the thick clusters of imagery ( with rapidly changing metaphors completely superseding the similes and drawn - out figures to be found in the earlier plays ) , the surprising juxtapositions , the over - riding of ...
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole