Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 107
... feel . Now what our seeing has been directed towards is nothing less than what man is . The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In ...
... feel . Now what our seeing has been directed towards is nothing less than what man is . The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In ...
Pagina 171
... feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st have loved thyself ...
... feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st have loved thyself ...
Pagina 174
... feel that Providence is working in the events ; an eternal Law is being exemplified : " There is a special providence in the fall of a sparrow . ... What is taking place is some- thing like the working - out of Dikê ' — or Law ( p . 327 ) ...
... feel that Providence is working in the events ; an eternal Law is being exemplified : " There is a special providence in the fall of a sparrow . ... What is taking place is some- thing like the working - out of Dikê ' — or Law ( p . 327 ) ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words