Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 14
... Explicit as the fittest for Instruction , because it rouzes the faculties to act ' . To claim to perceive some part of the pattern , there- fore , is to acknowledge that there are other ways of looking at the plays which also make sense ...
... Explicit as the fittest for Instruction , because it rouzes the faculties to act ' . To claim to perceive some part of the pattern , there- fore , is to acknowledge that there are other ways of looking at the plays which also make sense ...
Pagina 33
... explicit criticism comes . He may be in part the personi- fication of Misrule from whom it is the Prince's business to escape , but clearly he cannot be reduced to a morality abstraction . It is impossible to think of him , as Hal tends ...
... explicit criticism comes . He may be in part the personi- fication of Misrule from whom it is the Prince's business to escape , but clearly he cannot be reduced to a morality abstraction . It is impossible to think of him , as Hal tends ...
Pagina 222
... explicit the direction of the emotional current of the soliloquy . To quote John Vyvyan again , the dialogue with Ophelia ' is really a continuation of the death theme ; indeed , it is more , it is part of the long - drawn act of ...
... explicit the direction of the emotional current of the soliloquy . To quote John Vyvyan again , the dialogue with Ophelia ' is really a continuation of the death theme ; indeed , it is more , it is part of the long - drawn act of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words