Some Shakespearean Themes |
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Pagina 39
... are compelled by that honesty of imagination which takes everything into account . The imagination of course can leap ahead of experience , though only in such a way that experience - what is intimately known - feels itself able to ...
... are compelled by that honesty of imagination which takes everything into account . The imagination of course can leap ahead of experience , though only in such a way that experience - what is intimately known - feels itself able to ...
Pagina 56
All we can say is that the way experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appear- ance , death , and so on . But the condition of the defining that his art is ...
All we can say is that the way experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appear- ance , death , and so on . But the condition of the defining that his art is ...
Pagina 133
In each Shakespeare dramatizes modes of experience that -for all the intensity with which they are expressed — we recognize as coming very close indeed to the common run of human experience . The themes of the two plays are indeed ...
In each Shakespeare dramatizes modes of experience that -for all the intensity with which they are expressed — we recognize as coming very close indeed to the common run of human experience . The themes of the two plays are indeed ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole