Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 14
... experience so living and complex that when we are engaged in it , living it to the full extent of our powers , we have no need of token definitions . It is only later , when we wish to give others some account of the experience to which ...
... experience so living and complex that when we are engaged in it , living it to the full extent of our powers , we have no need of token definitions . It is only later , when we wish to give others some account of the experience to which ...
Pagina 39
... experience , though only in such a way that experience what is intimately known - feels itself able to follow in its tracks ; and both Sonnet CXVI ( ' Let me not to the marriage of true minds ' ) and Sonnet CXXIV ( ' If my dear love ...
... experience , though only in such a way that experience what is intimately known - feels itself able to follow in its tracks ; and both Sonnet CXVI ( ' Let me not to the marriage of true minds ' ) and Sonnet CXXIV ( ' If my dear love ...
Pagina 56
... experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appear- ance , death , and so on . But the condition of the defining that his art is , was that it should remain as ...
... experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appear- ance , death , and so on . But the condition of the defining that his art is , was that it should remain as ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words