Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 5
... emotional situation ... The truth is [ Professor Campbell concludes ] that Shakespeare employed his images for two purposes , both dramatic . He made his figurative language intensify an auditor's response to particular situations and ...
... emotional situation ... The truth is [ Professor Campbell concludes ] that Shakespeare employed his images for two purposes , both dramatic . He made his figurative language intensify an auditor's response to particular situations and ...
Pagina 137
... emotion that Cleopatra can humour him until she is , as it were , again present to him . Shakespeare , however ... emotional stimulants . They were necessary for much the same reason as the feasts and wine . For the continued ...
... emotion that Cleopatra can humour him until she is , as it were , again present to him . Shakespeare , however ... emotional stimulants . They were necessary for much the same reason as the feasts and wine . For the continued ...
Pagina 251
... emotional development as known , however obscurely , to every child , the following extract from The Mill on the Floss ( 1 , x ) has its relevance here . Maggie , in a fit of jealousy , has just pushed Lucy into the mud . " " I shall ...
... emotional development as known , however obscurely , to every child , the following extract from The Mill on the Floss ( 1 , x ) has its relevance here . Maggie , in a fit of jealousy , has just pushed Lucy into the mud . " " I shall ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words