Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 97
... dramatic statements exist in a context , and that their meaning is in relation to - often in tension with - that context . Lear is indeed the central conscious- ness of the play , but nothing , so far , has put us under any compulsion ...
... dramatic statements exist in a context , and that their meaning is in relation to - often in tension with - that context . Lear is indeed the central conscious- ness of the play , but nothing , so far , has put us under any compulsion ...
Pagina 188
... dramatic effect . It is almost like believing that Dante , for a canto or two , could change his ground and write approvingly , say , of the enemies of the Empire . If this ghost turns out to be one who clamours for revenge , then we ...
... dramatic effect . It is almost like believing that Dante , for a canto or two , could change his ground and write approvingly , say , of the enemies of the Empire . If this ghost turns out to be one who clamours for revenge , then we ...
Pagina 229
... dramatic structure of which the full force is now present to us - that is , unless we are prepared to sacri- fice Shakespeare's complex meanings for the sake of some easy ' dramatic ' effect . The word ' irony ' tends to suggest some ...
... dramatic structure of which the full force is now present to us - that is , unless we are prepared to sacri- fice Shakespeare's complex meanings for the sake of some easy ' dramatic ' effect . The word ' irony ' tends to suggest some ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words