Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 59
... Greek camp , - ' Kingdom'd Achilles in commotion rages And batters down himself ' ( II . iii . 184-5 ) ; whatever the claims that the Greek generals may make for them- selves [ 4 ] the impression we get from their counsels is one of ...
... Greek camp , - ' Kingdom'd Achilles in commotion rages And batters down himself ' ( II . iii . 184-5 ) ; whatever the claims that the Greek generals may make for them- selves [ 4 ] the impression we get from their counsels is one of ...
Pagina 64
... Greeks stand for public life and an imper- sonal ' reason ' , divorced from feeling and intuitive intelli- gence . The Trojans are their complementary opposite . Corresponding to the meeting of the Greek generals in the first act is the ...
... Greeks stand for public life and an imper- sonal ' reason ' , divorced from feeling and intuitive intelli- gence . The Trojans are their complementary opposite . Corresponding to the meeting of the Greek generals in the first act is the ...
Pagina 67
... Greek ' reason ' . It is Troilus's subjectivism that commits him to a world of time , appearance , and what M. Fluchère calls ' an intolerable anxiety ' . It is , in short , not opposed but complementary to the public realism of the Greeks ...
... Greek ' reason ' . It is Troilus's subjectivism that commits him to a world of time , appearance , and what M. Fluchère calls ' an intolerable anxiety ' . It is , in short , not opposed but complementary to the public realism of the Greeks ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words