Unisa English Studies, Volumele 27-29Department of English, University of South Africa, 1989 |
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Pagina 14
... voice and a force addressed .... 1 In other words , a poem is always , in principle , impersonal , inasmuch as the voice which utters it is a fictional construct , a literary creation distinct from the poet . Even poems which seem ...
... voice and a force addressed .... 1 In other words , a poem is always , in principle , impersonal , inasmuch as the voice which utters it is a fictional construct , a literary creation distinct from the poet . Even poems which seem ...
Pagina 15
... voice appear to coincide . At the opposite pole along a scale of depersonalization stands the impersonal lyric . The speaker in the impersonal lyric is non - specific and un - individualized . It does not follow that there is no ...
... voice appear to coincide . At the opposite pole along a scale of depersonalization stands the impersonal lyric . The speaker in the impersonal lyric is non - specific and un - individualized . It does not follow that there is no ...
Pagina 31
... voice the voice interpreting human experience from the perspective of the post - modern novel . Juxtaposed to this voice is the other one , given added resonance because of its prophetic echoes and demanding simultaneously to be heard ...
... voice the voice interpreting human experience from the perspective of the post - modern novel . Juxtaposed to this voice is the other one , given added resonance because of its prophetic echoes and demanding simultaneously to be heard ...
Cuprins
Reviews | 35 |
Review Notes | 69 |
Journal of the Department | |
Drept de autor | |
28 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Unisa English Studies, Volumele 8-9 University of South Africa. Department of English Vizualizare fragmente - 1970 |
Unisa English Studies, Volumul 15 University of South Africa. Department of English Vizualizare fragmente - 1977 |
Termeni și expresii frecvente
aesthetic anthology barbarians Beatrice Beowulf Byron Caliban Cenci century chapter character child Coleridge's collection concern contemporary context critical cultural Cummings Cummings's dramatic lyric dramatic monologue E. E. Cummings edition Eliot English English Studies Enormous Room essay experience fact Fay Weldon feminist Ferté fiction genre human imagination Introduction John King kynde La Ferté language letter lines literary London Magistrate means medieval ment metaphor moral mother myth Napoleon narrative narrator nature novel Oscar Wilde Oxford Paperback play poem poet poet's poetic poetry political Précigné present prison Prospero published reader reading reality reference Review seems sense Shakespeare Shelley social South African literature speaker stanza story suggests symbol T. S. Eliot Theatre theory things thought tion tradition Trevisa Unisa University of South University Press verse voice volume W. H. Davies Wilde Wilde's women words Wordsworth writing