Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 57Gale Research Company, 1984 |
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Pagina 193
... death and whatever else may follow . To do Macbeth credit , one must acknowledge that he has also begun to contemplate the unsavory consequences of his intended action when Lady Macbeth intervenes to redirect him to the murder ; but he ...
... death and whatever else may follow . To do Macbeth credit , one must acknowledge that he has also begun to contemplate the unsavory consequences of his intended action when Lady Macbeth intervenes to redirect him to the murder ; but he ...
Pagina 364
... death , the mortal meanings of the physical body cannot be denied ; and under the pressure of mortal- ity , Prospero returns to his body . Soon after his renuncia- tion speech , Prospero expresses his vulnerability to death , to foresee ...
... death , the mortal meanings of the physical body cannot be denied ; and under the pressure of mortal- ity , Prospero returns to his body . Soon after his renuncia- tion speech , Prospero expresses his vulnerability to death , to foresee ...
Pagina 372
... death in order to preserve her until Perdita returns ( 1 ) , as Hermione herself explains after her performance of animation ( 6 ) ; Antigonus ' vision is only a dream ( 2 ) ; Paulina , knowing that Hermione is really alive , can offer ...
... death in order to preserve her until Perdita returns ( 1 ) , as Hermione herself explains after her performance of animation ( 6 ) ; Antigonus ' vision is only a dream ( 2 ) ; Paulina , knowing that Hermione is really alive , can offer ...
Cuprins
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York