The Evolution of the Art of MusicD. Appleton, 1926 - 342 pagini |
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Pagina x
... Beethoven's impulse towards expression- His keen feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of ...
... Beethoven's impulse towards expression- His keen feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of ...
Pagina 46
... Beethoven , Schubert , Wagner , and Brahms ample opportunities to pro- duce works which in their respective lines are as wonderful as it is conceivable for any artistic works to be . A scale system may fairly be tested by what can be ...
... Beethoven , Schubert , Wagner , and Brahms ample opportunities to pro- duce works which in their respective lines are as wonderful as it is conceivable for any artistic works to be . A scale system may fairly be tested by what can be ...
Pagina 150
... Beethoven . In the pure instrumental line the works of the early Italian violinists form a very important historical landmark . The development of the art of violin - making to the unsurpassable perfection attained by the great Italian ...
... Beethoven . In the pure instrumental line the works of the early Italian violinists form a very important historical landmark . The development of the art of violin - making to the unsurpassable perfection attained by the great Italian ...
Pagina 198
... Beethoven in all their greatest and most per- fect works . The types which served these composers for models were the Sonate da Chiesa and the Sonate da Camera of the Corellian time . Their instinct impelled them to develop movements ...
... Beethoven in all their greatest and most per- fect works . The types which served these composers for models were the Sonate da Chiesa and the Sonate da Camera of the Corellian time . Their instinct impelled them to develop movements ...
Pagina 201
... Beethoven's time . The reason is that music had to wait for the development of the technique of expression much longer than for the technique of mere design . And it may be noted in passing that nothing marks the dif- ference between ...
... Beethoven's time . The reason is that music had to wait for the development of the technique of expression much longer than for the technique of mere design . And it may be noted in passing that nothing marks the dif- ference between ...
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achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven began branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas illustrate important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole