Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 80Gale Research Company, 1984 |
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Pagina 278
... women may deliber- ately choose men of lower class in order to gain a form of equality had continual reinforcement - reinforcement that I would argue is reflected in other plays of the period . " In addition to precedents from ...
... women may deliber- ately choose men of lower class in order to gain a form of equality had continual reinforcement - reinforcement that I would argue is reflected in other plays of the period . " In addition to precedents from ...
Pagina 296
... women - Beatrice , Phebe , Olivia , Diana , and Isa- bella - do " usurp " themselves , as Viola puts it to Olivia ( 1.5.185 ) ; their withdrawal from men has something in common with Kate's . It is characterized by unsparing attacks on ...
... women - Beatrice , Phebe , Olivia , Diana , and Isa- bella - do " usurp " themselves , as Viola puts it to Olivia ( 1.5.185 ) ; their withdrawal from men has something in common with Kate's . It is characterized by unsparing attacks on ...
Pagina 298
... women . Its primary subject is intercourse , persistently viewed as male assault : men " board " woman ( 2.1.138 ) and " put in the pikes with a vice " ( 5.2.20 ) while women resign themselves to being made " heavier . . . by the weight ...
... women . Its primary subject is intercourse , persistently viewed as male assault : men " board " woman ( 2.1.138 ) and " put in the pikes with a vice " ( 5.2.20 ) while women resign themselves to being made " heavier . . . by the weight ...
Cuprins
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words