Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 80Gale Research Company, 1984 |
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Pagina 127
... present culture . Shake- speare and his audience were interested in the political struggles of the fourteenth and ... present and also that the future would in some mysterious way be a product of both present and past . They also knew ...
... present culture . Shake- speare and his audience were interested in the political struggles of the fourteenth and ... present and also that the future would in some mysterious way be a product of both present and past . They also knew ...
Pagina 138
... present . The retrospective mode animates the present , and the past is a felt and perceptible force that directs and positions that present . It is , as we may expect , Prince Hal , the omnicompetent young politi- cian , who possesses ...
... present . The retrospective mode animates the present , and the past is a felt and perceptible force that directs and positions that present . It is , as we may expect , Prince Hal , the omnicompetent young politi- cian , who possesses ...
Pagina 352
... present . The implication of that idea of ' return ' , then , is that there is something retrograde , and above all something positivistic , about the undertaking — that is , that in invoking history we are privileging something called ...
... present . The implication of that idea of ' return ' , then , is that there is something retrograde , and above all something positivistic , about the undertaking — that is , that in invoking history we are privileging something called ...
Cuprins
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words