Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 80Gale Research Company, 1984 |
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Pagina 57
... Performance by Players with the Royal Shakespeare Company , eds . Russell Jackson and Robert Smallwood [ Cambridge : Cambridge Univ . Press , 1993 ] , p . 83 ) . 8. See D. J. Palmer's " As You Like It and the Idea of Play " in ...
... Performance by Players with the Royal Shakespeare Company , eds . Russell Jackson and Robert Smallwood [ Cambridge : Cambridge Univ . Press , 1993 ] , p . 83 ) . 8. See D. J. Palmer's " As You Like It and the Idea of Play " in ...
Pagina 115
... performance and a performance at least evokes a read- ing . If Berger is right about Shakespeare's thematic anti - theatricalism , and I think he is , then potential performance forms the ground of reading , and reading forms the ground ...
... performance and a performance at least evokes a read- ing . If Berger is right about Shakespeare's thematic anti - theatricalism , and I think he is , then potential performance forms the ground of reading , and reading forms the ground ...
Pagina 202
... performance techniques and classical Western theatre texts . Something new results : a performance text that might best be called a Butoh meditation on a Western classic . With Shakespeare's Macbeth as metatext this season , the ...
... performance techniques and classical Western theatre texts . Something new results : a performance text that might best be called a Butoh meditation on a Western classic . With Shakespeare's Macbeth as metatext this season , the ...
Cuprins
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
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action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words