Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 80Gale Research Company, 1984 |
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Pagina 301
... desire is felt only for the il- licit . Bertram and Angelo are both presented as psychological virgins about to undergo their first sexual experience . In the course of their plays , we find that both can desire only when they imagine ...
... desire is felt only for the il- licit . Bertram and Angelo are both presented as psychological virgins about to undergo their first sexual experience . In the course of their plays , we find that both can desire only when they imagine ...
Pagina 302
... desire to repeat - and not only , I think , for reasons of dramatic economy and credibility . Both Ber- tram and Angelo lose desire for their virgins as soon as they have ravished them ; for both , apparently , the imagined act of ...
... desire to repeat - and not only , I think , for reasons of dramatic economy and credibility . Both Ber- tram and Angelo lose desire for their virgins as soon as they have ravished them ; for both , apparently , the imagined act of ...
Pagina 307
... desire and equally fierce outbursts of degrading and degraded desire is given a local habitation and a name in the geography that separates nunnery and brothel . The play begins with the order to raze the brothels ( the spatial ...
... desire and equally fierce outbursts of degrading and degraded desire is given a local habitation and a name in the geography that separates nunnery and brothel . The play begins with the order to raze the brothels ( the spatial ...
Cuprins
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words