Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 80Gale Research Company, 1984 |
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Pagina 27
... Character , " Richard Levin has objected to a tendency in modern criticism to subordinate character to theme , as if a play owed its life to the dramatization of an idea rather than " a particular moving human experience . " " " " While ...
... Character , " Richard Levin has objected to a tendency in modern criticism to subordinate character to theme , as if a play owed its life to the dramatization of an idea rather than " a particular moving human experience . " " " " While ...
Pagina 88
... Character of Sir John Falstaff ( 1777 ) . Morgann will be considered more fully in my Endpiece , but it is neces- sary to note at this point how the Essay defends Falstaff from the imputation of cowardice . While not dwelling too much ...
... Character of Sir John Falstaff ( 1777 ) . Morgann will be considered more fully in my Endpiece , but it is neces- sary to note at this point how the Essay defends Falstaff from the imputation of cowardice . While not dwelling too much ...
Pagina 377
... Character Index The Cumulative Character Index identifies the principal characters of discussion in the criticism of each play and non - dramatic poem . The characters are arranged alphabetically . Page references indicate the beginning ...
... Character Index The Cumulative Character Index identifies the principal characters of discussion in the criticism of each play and non - dramatic poem . The characters are arranged alphabetically . Page references indicate the beginning ...
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As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
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action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words