Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 80Gale Research Company, 1984 |
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Pagina 15
... begins to mutiny against this servitude , " Orlando tells Adam ( I.i.20 ) , and when Oliver enters Orlando is shortly at his throat . Discord at a higher level , in the state itself , is next disclosed by Charles , the profes- sional ...
... begins to mutiny against this servitude , " Orlando tells Adam ( I.i.20 ) , and when Oliver enters Orlando is shortly at his throat . Discord at a higher level , in the state itself , is next disclosed by Charles , the profes- sional ...
Pagina 97
... begins to feel the weight of his own waste . Here , by focusing on some elements of the argument of time , we can perceive a dramatic justification of Part Two . As in all father - son encounters , the older voice tries to persuade the ...
... begins to feel the weight of his own waste . Here , by focusing on some elements of the argument of time , we can perceive a dramatic justification of Part Two . As in all father - son encounters , the older voice tries to persuade the ...
Pagina 235
... begins to discern some of the play's larger themes , its singular occur- rence there cannot be regarded as incidental ; neither can the context in which it is introduced and the ideas that are immediately associated with it . Lady ...
... begins to discern some of the play's larger themes , its singular occur- rence there cannot be regarded as incidental ; neither can the context in which it is introduced and the ideas that are immediately associated with it . Lady ...
Cuprins
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words