Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 80Gale Research Company, 1984 |
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Pagina 16
... Orlando's demanding membership in such a class , like the irony of his competing with Charles , has been carefully measured . Because of it , Orlando is saved from becoming either a stereotyped prig or a sentimental cartoon . Still ...
... Orlando's demanding membership in such a class , like the irony of his competing with Charles , has been carefully measured . Because of it , Orlando is saved from becoming either a stereotyped prig or a sentimental cartoon . Still ...
Pagina 20
... Orlando does not know to be true - complicates , but does not subvert , the conven- tion . If , on the other hand , the speaker is the Orlando who overthrew Charles and who fed Adam , the vow is a useful means of demonstrating where ...
... Orlando does not know to be true - complicates , but does not subvert , the conven- tion . If , on the other hand , the speaker is the Orlando who overthrew Charles and who fed Adam , the vow is a useful means of demonstrating where ...
Pagina 26
... Orlando remains true to his own image of Rosalind . His idealism is not shattered by his exposure to what Touchstone would call , if he traded in clichés , " real life . " Rosalind asks more from Orlando than resistance to Ganymed's ...
... Orlando remains true to his own image of Rosalind . His idealism is not shattered by his exposure to what Touchstone would call , if he traded in clichés , " real life . " Rosalind asks more from Orlando than resistance to Ganymed's ...
Cuprins
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words