 | Constance Penley - 1988 - 284 pagini
...control, and subjecting the guilty person through punishment or forgiveness. This sadistic side fits well with narrative. Sadism demands a story, depends...another person, a battle of will and strength, victory /defeat, all occuring in a linear time with a beginning and an end. Fetishistic scopophilia, on the... | |
 | Patricia Erens - 1990 - 492 pagini
...associated with castration), asserting control, and subjecting the guilty person through punishment or forgiveness. This sadistic side fits in well with...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end. Fetishistic scopophilia,... | |
 | D. Emily Hicks - 1991 - 178 pagini
...among others have written on this issue. In "Visual Pleasure and Narrative Cinema," Mulvey argues that "sadism demands a story, depends on making something...another person, a battle of will and strength, victory /defeat, all occurring in a linear time with a beginning and an end" (14). The structure of the relationship... | |
 | D. Emily Hicks - 1991 - 178 pagini
...among others have written on this issue. In "Visual Pleasure and Narrative Cinema," Mulvey argues that "sadism demands a story, depends on making something...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end" (14). The structure of... | |
 | Donald E. Morton, Masʼud Zavarzadeh - 1991 - 268 pagini
..."well-constructed" or tightly written plot. "Sadism demands a story," Laura Mulvey has demonstrated, which "depends on making something happen, forcing a change...in another person, a battle of will and strength, victory/defeat, all occurring in linear time with a beginning and an end" ("Visual Pleasure and Narrative... | |
 | Camille Bacon-Smith - 1992 - 356 pagini
...behavior likewise demand a story. Rather, Mulvey goes on to describe the narrative sadism demands: "Sadism demands a story, depends on making something...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end."27 In this quotation. Mulvey... | |
 | Screen - 1992 - 354 pagini
...object of its sadistic components. However, if we take some of the terms used in her description - 'making something happen', 'forcing a change in another...battle of will and strength', 'victory and defeat' - they can immediately be applied to 'male' genres, to films concerned largely or solely with the depiction... | |
 | Martin Rubin - 1993 - 336 pagini
...Martin, The Films of Busby Berkeley, pp. 8-9; Thomas and Terry, The Busby Berkeley Book, p. 72. 6. "This sadistic side fits in well with narrative. Sadism...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end. Fetishistic scopophilia,... | |
 | William E. Burgwinkle, Glenn Man, Valerie Wayne - 1993 - 140 pagini
...in ascertaining guilt .... asserting control and subjugating the guilty person through punishment or forgiveness. This sadistic side fits in well with...something happen, forcing a change in another person ... all occurring in a linear time with a beginning and an end. (21-2) The figure of Katharina Blum... | |
 | Valentina Polukhina, Joe Andrew, Robert Reid - 1993 - 366 pagini
...concerning the establishment of difference that is the work of narrative. Laura Mulvey has argued that 'Sadism demands a story, depends on making something...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end'.1 1 For de Lauretis this... | |
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Sadism demands a story, depends on making something happen, forcing a change in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end. 
