SCENE I.-Elsinore. A Platform before the Castle. FRANCISCO on his post. Enter to him BERNARDO. WHO's there? Bernardo. Fran. Nay, answer me: stand, and unfold Yourself. Ber. Long live the king!' Fran. Bernardo ? Ber. He. Fran. You come most carefully upon your hour. Ber. 'Tis now struck twelve; get thee to bed, Francisco Fran. For this relief, much thanks: 'tis bitter cold, And I am sick at heart. lf Ber. Have you had quiet guard? Fran. Not a mouse stirring. Ber. Well, good night. you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste. Enter HORATIO and MARCELLUS. Fran. I think, I hear them.-Stand, ho! Who is there? Hor. Friends to this ground. Mar. And liegemen to the Dane. Fran. Give you good-night. Mar. O, farewell, honest soldier: Who hath reliev'd you? Fran. Bernardo hath my place. Give you good night. Mar. Holla! Bernardo! Ber. Say, What, is Horatio there? Hor. A piece of him. [Exite Ber. Welcome, Horatio; welcome, good Marcellus. [1] This sentence appears to be the watch-word. STEEVENS. [2] Rivals for partners. WARBURTON.Rival is constantly used by Shakespeare for a partner or associate. MALONE. Ber. I have seen nothing. Mar. Horatio says, 'tis but our fantasy; Touching this dreaded sight, twice seen of us : He may approve our eyes,' and speak to it : And let us once again assail your ears, Hor. Well, sit we down, And let us hear Bernardo speak of this. When yon same star, that's westward from the pole, The bell then beating one,— Mar. Peace, break thee off; look, where it comes again! Ber. In the same figure, like the king that's dead. Mar. Speak to it, Horatio. Hor. What art thou, that usurp'st this time of night, Together with that fair and warlike form In which the majesty of buried Denmark Did sometimes march? by heaven I charge thee, speak. Mar. It is offended. Ber. See! it stalks away. Hor. Stay; speak: speak I charge thee, speak. Mar. 'Tis gone, and will not answer. [Exit Ghost. Ber. How now, Horatio? you tremble, and look pale : Is not this something more than fantasy ? What think you of it? [3] Add a new testimony to that of our eyes. JOHNSON. [4] It has always been a vulgar notion that supernatural beings can only be spoken to with propriety or effect by persons of learning. Thus Toby, in the Nightwalker, by Beaumont and Fletcher, says: "Let's call the butler up, for he speaks latin, REED. Hor. Before my God, I might not this believe, Without the sensible and true avouch Of mine own eyes. Mar. Is it not like the king? Hor. As thou art to thyself: Such was the very armour he had on, 'Tis strange. Mar. Thus, twice before, and jump at this dead hour, With martial stalk, hath he gone by our watch. Hor. In what particular thought to work, I know not But, in the gross and scope of mine opinion, 8 This bodes some strange eruption to our state. Mar. Good now, sit down, and tell me, he that knows, And why such daily cast of brazen cannon, Why such impress of shipwrights, whose sore task Hor. That can I ; Our last king, At least, the whisper goes so. Did forfeit, with his life, all those his lands, Had he been vanquisher; as, by the same co-mart, [5] He speaks of a prince of Poland whom he slew in battle. Polack was, in that age, the term for an inhabitant of Poland. [6] Jump and just were synonymous in the time of Shakespeare. What particular train of thinking to follow. [8] Gross and scope,---general thoughts, and tendency at large. POPE. STEEVENS. JOHNSON. STEEVENS. JOHNSON. |