Introduction to Literature: Reading, Analyzing, and WritingAlfred Publishing Company, 1981 - 926 pagini |
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Pagina 3
... better , to communicate better . Good literature provides an especially valuable basis for such learning because creative writers are themselves so deeply involved in language , constantly reaching toward the best word , the right ...
... better , to communicate better . Good literature provides an especially valuable basis for such learning because creative writers are themselves so deeply involved in language , constantly reaching toward the best word , the right ...
Pagina 257
... better come back another day . I have to have train- ing . I have a cousin who's not at all bad - looking - I'll practice on him tomorrow , and then the next day I'll— MAN . You can practice right now . On the receptionist . AGNES ...
... better come back another day . I have to have train- ing . I have a cousin who's not at all bad - looking - I'll practice on him tomorrow , and then the next day I'll— MAN . You can practice right now . On the receptionist . AGNES ...
Pagina 394
... better . Better . " He called to the driver and told him to spread a blanket over the body and stay by it . Then he walked over to the motor car where the woman sat crying in the corner . " That was a pretty thing to do , " he said in a ...
... better . Better . " He called to the driver and told him to spread a blanket over the body and stay by it . Then he walked over to the motor car where the woman sat crying in the corner . " That was a pretty thing to do , " he said in a ...
Cuprins
Why study Literature? Your Role as a Student of Literature | 8 |
PRELIMINARY STUDY | 15 |
Taking Notes Deciding on the Unanswered Questions | 25 |
Drept de autor | |
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Introduction to Literature: Reading, Analyzing, and Writing Dorothy U. Seyler,Richard A. Wilan Nu există previzualizare disponibilă - 1990 |
Termeni și expresii frecvente
A. E. HOUSEMAN ABIGAIL AGNES Alleyne ANTIGONE asked ASLAKSEN beautiful Cassio character CHORAGOS CLERK conflict Copyright CREON dark Daru dead Desdemona door E. E. CUMMINGS ELLIE EMIL essay eyes face Farrington father feel felt girl hand head hear heard heart HORSTER HOVSTAD husband IAGO ISMENE JUNIE Kaph knew live Loisel looked MacLane Macomber Major Molineux MARY WARREN mean Mitty morning MORTEN KIIL mother never night Othello PARRIS PETER STOCKMANN PETRA Phoenix play plot structure poem PROCTOR Pugh PUTNAM smile Sonnet 18 speak speaker Stanley stood stop story street symbol talk TEIRESIAS tell thee theme there's thing thou thought Tituba told town turned voice waiting walk Walter Mitty wife Wilson window Winning woman words writing ZAPO ZÉPO