For it hath been by sorrow nursed, SONG OF SAUL BEFORE HIS LAST BATTLE. WARRIORS and chiefs! should the shaft or the sword Pierce me in leading the host of the Lord, And ached in sleepless silence long; And now 'tis doom'd to know the worst, And break at once-or yield to song. I SAW THEE WEEP. I SAW thee weep—the big bright tear A violet dropping dew: I saw thee smile the sapphire's blaze It could not match the living rays As clouds from yonder sun receive Which scarce the shade of coming eve Can banish from the sky, Those smiles unto the moodiest mind THY DAYS ARE DONE. THY days are done, thy fame begun ; The triumphs of her chosen Son, 1 Though thou art fall'n, while we are free Thy spirit on our breath! Thy name, our charging hosts along, Shall be the battle-word! Thy fall, the theme of choral song To weep would do thy glory wrong; [It was generally conceived that Lord Byron's reported singularities approached on some occasions to derangement; and at une period, indeed, it was very currently asserted that bis intellects were actually impaired. The report only served to amuse his Lordship. He referred to the circumstance, and declared that he would try how a madman could write: seizing the pen with eagerness, he for a moment fixed his eyes in majestic wildness on vacancy; when, like a flash of inspiration, without erasing a single word, the above verses were the result."NATHAN.] 2 (Haunted with that insatiable desire of searching into the secrets of futurity, inseparable from uncivilised man, Saul knew not to what quarter to turn. The priests, outraged by his cruelty, had forsaken him: the prophets stood aloof; no dreams visited his couch; he had persecuted even the unlawful diviners. He hears at last of a female necromancer, a woman with the spirit of Ob; strangely similar in sound to the Obeah women in the West Indies. To the cave-dwelling of this woman, in Endor, the monarch proceeds in disguise. He commands her to raise the spirit of Samuel. At this daring demand, the woman first recognises, or pretends to reengnise, her royal visitor. "Whom seest thou?" says the king." Mighty ones ascending from the earth."-" Of what form?"-" An old man covered with a mantle." Saul, in Heed not the corse, though a king's, in your path: Bury your steel in the bosoms of Gath! Thou who art bearing my buckler and bow, Should the soldiers of Saul look away from the foe, Stretch me that moment in blood at thy feet! Mine be the doom which they dared not to meet. Farewell to others, but never we part, Heir to my royalty, son of my heart! Or kingly the death, which awaits us to-day! SAUL. 2 THOU whose spell can raise the dead, King, behold the phantom seer!" terror, bows down his head to the earth; and, it should seem, not daring to look up, receives from the voice of the spectre the awful intimation of his defeat and death. On the reality of this apparition we pretend not to decide: the figure, if fi gure there were, was not seen by Saul; and, excepting the event of the approaching battle, the spirit said nothing which the living prophet had not said before, repeatedly and publicly. But the fact is curious, as showing the popular belief of the Jews in departed spirits to have been the same with that of most other nations.- MILMAN.] 3 ["Since we have spoken of witches," said Lord Byron, at Cephalonia, in 1823, what think you of the witch of Endor? I have always thought this the finest and most finished witchscene that ever was written or conceived; and you will be of my opinion, if you consider all the circumstances and the actors in the case, together with the gravity, simplicity, and dig nity of the language. It beats all the ghost scenes I ever read. The finest conception on a similar subject is that of Goethe's Devil, Mephistopheles; and though, of course, you will give the priority to the former, as being inspired, yet the latter, if you know it, will appear to you at least it does to me - one of the finest and most sublime specimens of human conception."] Hh "ALL IS VANITY, SAITH THE PREACHER.” FAME, wisdom, love, and power were mine, I strive to number o'er what days There rose no day, there roll'd no hour And not a trapping deck'd my power VISION OF BELSHAZZAR. THE King was on his throne, The Satraps throng'd the hall; A thousand bright lamps shone O'er that high festival. A thousand cups of gold, In Judah deem'd divine— The godless Heathen's wine. And wrote as if on sand: A solitary hand Along the letters ran, And traced them like a wand. The monarch saw, and shook, And tremulous his voice. Chaldea's seers are good, But here they have no skill; Are wise and deep in lore; A captive in the land, A stranger and a youth, He heard the king's command, He saw that writing's truth, The lamps around were bright, The prophecy in view; He read it on that night,— The morrow proved it true. "Belshazzar's grave is made. The Persian on his throne!" SUN OF THE SLEEPLESS! SUN of the sleepless! melancholy star! A night-beam Sorrow watcheth to behold, WERE MY BOSOM AS FALSE AS THOU WERE my bosom as false as thou deem'st it to be, The curse which, thou say'st, is the crime of my race: If the bad never triumph, then God is with thee! I have lost for that faith more than thou canst bestow, HEROD'S LAMENT FOR MARIAMNE. 1 OH, Mariamne! now for thee The heart for which thou bled'st is bleeding; Revenge is lost in agony, And wild remorse to rage succeeding. Oh, Mariamne! where art thou? Thou canst not hear my bitter pleading. Ah: couldst thou-thou wouldst pardon now, Though Heaven were to my prayer unheeding. And is she dead?—and did they dare Obey my frenzy's jealous raving? My wrath but doom'd my own despair: The sword that smote her's o'er me waving. But thou art cold, my murder'd love! And this dark heart is vainly craving For her who soars alone above, And leaves my soul unworthy saving. She's gone, who shared my diadem ; She sunk, with her my joys entombing; Which unconsumed are still consuming! ON THE DAY OF THE DESTRUCTION OF From the last hill that looks on thy once holy dome I look'd for thy temple, I look'd for my home, [Mariamne, the wife of Herod the Great, falling under the suspicion of infidelity, was put to death by his order. She was a woman of unrivalled beauty, and a haughty spirit: unhappy in being the object of passionate attachment, which burdered on frenzy, to a man who had more or less concern in And now on that mountain I stood on that day, BY THE RIVERS OF BABYLON WE SAT WE sate down and wept by the waters Which roll'd on in freedom below, Oh Salem! its sound should be free; THE DESTRUCTION OF SENNACHERIB. THE Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen : Like the leaves of the forest when Autumn hath blown, That host on the morrow lay wither'd and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he pass'd; And the eyes of the sleepers wax'd deadly and chill, And their hearts but once heav'd, and for ever grew still! And there lay the steed with his nostril all wide, And there lay the rider distorted and pale, And the widows of Ashur are loud in their wail, the murder of her grandfather, father, brother, and uncle, and who had twice commanded her death, in case of his own. Ever after, Herod was haunted by the image of the murdered Mariamne, until disorder of the mind brought on disorder of body, which led to temporary derangement. - MILMAN.] [The Hebrew Melodies, though obviously inferior to Lord Byron's other works, display a skill in versification and a mastery in diction, which would have raised an inferior artist to the very summit of distinction. — JEFFREY.] 2 [It was about the middle of April that his two celebrated copies of verses, "Fare thee well," and "A Sketch," made their appearance in the newspapers; and while the latter poem was generally, and, it must be owned, justly condemned, as a sort of literary assault on an obscure female, whose situation ought to have placed her as much beneath his satire, as the undignified mode of his attack certainly raised her above it, with regard to the other poem, opinions were a good deal more divided. To many it appeared a strain of true conjugal tenderness, a kind of appeal which no woman with a heart could resist; while, by others, on the contrary, it was considered to be a mere showy effusion of sentiment, as difficult for real feeling to have produced as it was easy for fancy and art, and altogether unworthy of the deep interests involved in Yet, oh yet, thyseif deceive not; Love may sink by slow decay, But by sudden wrench, believe not Hearts can thus be torn away: Still thine own its life retaineth - And when thou would solace gather, When our child's first accents flow, Wilt thou teach her to say "Father!" Though his care she must forego? When her little hands shall press thee, When her lip to thine is press'd, Think of him whose prayer shall bless thee, Think of him thy love had bless'd! Should her lineaments resemble Those thou never more may'st see, All my faults perchance thou knowest, Every feeling hath been shaken; Pride, which not a world could bow, Bows to thee-by thee forsaken, Even my soul forsakes me now: the subject. To this latter opinion I confess my own to have, at first, strongly inclined; and suspicious as I could not help thinking the sentiment that could, at such a moment, indulge in such verses, the taste that prompted or sanctioned thetr publication appeared to me even still more questionable. On reading, however, his own account of all the circumstances in the Memoranda, I found that on both points I had, in common with a large portion of the public, done him injustice He there described, and in a manner whose sincerity there was no doubting, the swell of tender recollections under the influence of which, as he sat one night musing in bis study, these stanzas were produced, the tears, as he said, falling fast over the paper as he wrote them. Neither did it appear, from that account, to have been from any wish or intention of his own, but through the injudicious zeal of a friend whom he had suffered to take a copy, that the verses met the pubbe eye. MOORE. The appearance of the MS. confirms this account of the circumstances under which it was written. It is blotted all over with the marks of tears.] BORN in the garret, in the kitchen bred, She taught the child to read, and taught so well, Nor Fortune change- Pride raise-nor Passion bow, But wanting one sweet weakness-to forgive, But to the theme: - now laid aside too long, The baleful burthen of this houest song Though all her former functions are no more, She rules the circle which she served before. If mothers-none know why-before her quake; If daughters dread her for the mothers' sake; If early habits-those false links, which bind At times the loftiest to the meanest mind "["I send you my last night's dream, and request to have fifty coples struck off, for private distribution. I wish Mr. Gifford to look at them. They are from life."- Lord Byron Mr. Murray, March 30. 1816.] [In first draught "weltering."-"I doubt about 'weltering. We say weltering in blood;' but do not they also Have given her power too deeply to instil To make a Pandemonium where she dwells, [smiles A plain blunt show of briefly-spoken seeming, Look on the picture! deem it not o'ercharged Oh! wretch without a tear- - without a thought, Save joy above the ruin thou hast wroughtThe time shall come, nor long remote, when thou Shalt feel far more than thou inflictest now; Feel for thy vile self-loving self in vain, And turn thee howling in unpitied pain. May the strong curse of crush'd affections light Back on thy bosom with reflected blight! And make thee in thy leprosy of mind As loathsome to thyself as to mankind! Till all thy self-thoughts curdle into hate, Black as thy will for others would create: Till thy hard heart be calcined into dust, And thy soul welter in its hideous crust. Oh, may thy grave be sleepless as the bed,The widow'd couch of fire, that thou hast spread! Then, when thou fain wouldst weary Heaven with prayer, Look on thine earthly victims and despair! March 29. 1816. use weltering in the wind,' weltering on a gibbet?' I have no dictionary, so look. In the mean time, I have put festering; which, perhaps, in any case is the best word of the two. Shakspeare has it often, and I do not think it too strong for the figure in this thing. Quick! quick! quick! quick!" - Lord Byron to Mr. Murray, April 2.] |