The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare PlaysTheo Book Company, 1925 - 185 pagini |
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Pagina 7
... TRAGEDY OF KING RICHARD III 57 JULIUS CAESAR 79 TROILUS AND CRESSIDA 93 THE WINTER'S TALE 101 SOOTHSAYERS AND PROPHECIES 109 ASTROLOGY 121 CEREMONIAL MAGIC 127 JOAN OF ARC 135 THE FAIRIES 145 DREAMS 155 PREMONITIONS 169 CONCLUSION 179 ...
... TRAGEDY OF KING RICHARD III 57 JULIUS CAESAR 79 TROILUS AND CRESSIDA 93 THE WINTER'S TALE 101 SOOTHSAYERS AND PROPHECIES 109 ASTROLOGY 121 CEREMONIAL MAGIC 127 JOAN OF ARC 135 THE FAIRIES 145 DREAMS 155 PREMONITIONS 169 CONCLUSION 179 ...
Pagina 18
... tragedy turns upon this pivotal point . Hamlet shapes his program by the information thus received . Through this materialization he comes into possession of the proof that his father was murdered and learns by whom and in what ...
... tragedy turns upon this pivotal point . Hamlet shapes his program by the information thus received . Through this materialization he comes into possession of the proof that his father was murdered and learns by whom and in what ...
Pagina 21
... tragedy there is nothing incidental about its occultism . It runs consistently throughout the play . The curtain rises to it and it holds a most conspicuous position to the very end , for it is only in the last scene of the final act ...
... tragedy there is nothing incidental about its occultism . It runs consistently throughout the play . The curtain rises to it and it holds a most conspicuous position to the very end , for it is only in the last scene of the final act ...
Pagina 24
... tragedy unfolds and discloses the future . To the very end of the play they give an accurate forecast of events . the weird sisters would not be represented as Of course being capable of doing that if they are intended to 24 THE GHOSTS ...
... tragedy unfolds and discloses the future . To the very end of the play they give an accurate forecast of events . the weird sisters would not be represented as Of course being capable of doing that if they are intended to 24 THE GHOSTS ...
Pagina 31
... tragedy runs its course ; but they are not , in the main , correctly inter- preted by Macbeth . They seem to him to be assurances that he is invulnerable and that his enemies cannot prevail against him . His confidence in his future is ...
... tragedy runs its course ; but they are not , in the main , correctly inter- preted by Macbeth . They seem to him to be assurances that he is invulnerable and that his enemies cannot prevail against him . His confidence in his future is ...
Alte ediții - Afișează-le pe toate
The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare Plays Louis William Rogers Vizualizare fragmente - 1949 |
The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare Plays Louis William Rogers Vizualizare fragmente - 1955 |
The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare Plays Louis William Rogers Vizualizare fragmente - 1966 |
Termeni și expresii frecvente
apparition appear arms astral Banquo believe better blood body bring brother brought Brutus Caesar Cassandra cause Clarence comes consciousness course dead death doth doubt dramatist dream Duke earth Enter eyes fact fall fate father fear fight finally fortune friends future ghost give Gloucester Hamlet hand Hastings hath head hear heart heaven Hector Henry hold Horatio Joan King Richard known Lady Macbeth leave live look lord Macbeth matter Messenger mind murder nature never night occult peace Pericles physical physical body plays present prince prophecy queen reason Richmond rises says Scene Second seen Shakespeare plays shalt Siward sleep sometimes Soothsayer soul speak spirit stand Stanley Suffolk sword tell thane thee thing thou thought tragedy true truth wife witches wraith yield young
Pasaje populare
Pagina 119 - The heavens themselves, the planets, and this centre, Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...
Pagina 23 - What are these, So wither'd, and so wild in their attire; That look not like the inhabitants o' the earth, And yet are on't ? Live you ? or are you aught That man may question ? You seem to understand me, By each at once her choppy finger laying Upon her skinny lips : — You should be women, * Compass.
Pagina 29 - I am in blood Stepp'd in so far, that, should I wade no more, Returning were as tedious as go o'er : Strange things I have in head, that will to hand ; Which must be acted ere they may be scann'd.
Pagina 24 - If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
Pagina 48 - Who was it that thus cried? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them, and smear The sleepy grooms with blood.
Pagina 35 - I throw my warlike shield : lay on, Macduff, And damn'd be him that first cries ' Hold, enough !
Pagina 61 - And descant on mine own deformity : And therefore — since I cannot prove a lover, To entertain these fair well-spoken days — I am determined to prove a villain, And hate the idle pleasures of these days. Plots have I laid, inductions dangerous, By drunken prophecies, libels, and dreams, To set my brother Clarence and the king In deadly hate the one against the other...
Pagina 45 - What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger, Take any shape but that, and my firm nerves Shall never tremble...
Pagina 120 - Know thus far forth. — By accident most strange, bountiful fortune, Now my dear lady,, hath mine enemies Brought to this shore : and by my prescience I find my zenith doth depend upon A most auspicious star ; whose influence If now I court not, but omit, my fortunes Will ever after droop.
Pagina 119 - But when the planets In evil mixture, to disorder wander, What plagues, and what portents ! what mutiny ! What raging of the sea ! shaking of earth ! Commotion in the winds ! frights, changes, horrors Divert and crack, rend and deracinate The unity and married calm of states Quite from their fixture...