The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare PlaysTheo Book Company, 1925 - 185 pagini |
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Pagina 10
... give us pause . It is not doubt of after - life that troubles him but doubt about what the conditions of that existence may be . In the very wording of the phrase in question he shows that he is no mater- ialist . He asserts the ...
... give us pause . It is not doubt of after - life that troubles him but doubt about what the conditions of that existence may be . In the very wording of the phrase in question he shows that he is no mater- ialist . He asserts the ...
Pagina 18
... give us a glimpse of what lies beyond the range of the physical senses -- to present all the actors vitally concerned in the drama , whether belonging to the physical realm or not , and to portray their passions and emotions as they are ...
... give us a glimpse of what lies beyond the range of the physical senses -- to present all the actors vitally concerned in the drama , whether belonging to the physical realm or not , and to portray their passions and emotions as they are ...
Pagina 20
... give us a picture of human life that reaches beyond the visible , to describe the passions and emotions as surviving the loss of the physical body , then the bringing forward of the ghost violates one of the first principles of dramatic ...
... give us a picture of human life that reaches beyond the visible , to describe the passions and emotions as surviving the loss of the physical body , then the bringing forward of the ghost violates one of the first principles of dramatic ...
Pagina 21
... give accurate descriptions of what is to occur . All that follows , until the very end , is but the working out in the visible world of events thus forecast . It will be remembered that it is in the third scene of the first act that ...
... give accurate descriptions of what is to occur . All that follows , until the very end , is but the working out in the visible world of events thus forecast . It will be remembered that it is in the third scene of the first act that ...
Pagina 24
... future . To the very end of the play they give an accurate forecast of events . the weird sisters would not be represented as Of course being capable of doing that if they are intended to 24 THE GHOSTS IN SHAKESPEARE.
... future . To the very end of the play they give an accurate forecast of events . the weird sisters would not be represented as Of course being capable of doing that if they are intended to 24 THE GHOSTS IN SHAKESPEARE.
Alte ediții - Afișează-le pe toate
The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare Plays Louis William Rogers Vizualizare fragmente - 1949 |
The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare Plays Louis William Rogers Vizualizare fragmente - 1955 |
The Ghosts in Shakespeare: A Study of the Occultism in the Shakespeare Plays Louis William Rogers Vizualizare fragmente - 1966 |
Termeni și expresii frecvente
apparition appear arms astral Banquo believe better blood body bring brother brought Brutus Caesar Cassandra cause Clarence comes consciousness course dead death doth doubt dramatist dream Duke earth Enter eyes fact fall fate father fear fight finally fortune friends future ghost give Gloucester Hamlet hand Hastings hath head hear heart heaven Hector Henry hold Horatio Joan King Richard known Lady Macbeth leave live look lord Macbeth matter Messenger mind murder nature never night occult peace Pericles physical physical body plays present prince prophecy queen reason Richmond rises says Scene Second seen Shakespeare plays shalt Siward sleep sometimes Soothsayer soul speak spirit stand Stanley Suffolk sword tell thane thee thing thou thought tragedy true truth wife witches wraith yield young
Pasaje populare
Pagina 119 - The heavens themselves, the planets, and this centre, Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...
Pagina 23 - What are these, So wither'd, and so wild in their attire; That look not like the inhabitants o' the earth, And yet are on't ? Live you ? or are you aught That man may question ? You seem to understand me, By each at once her choppy finger laying Upon her skinny lips : — You should be women, * Compass.
Pagina 29 - I am in blood Stepp'd in so far, that, should I wade no more, Returning were as tedious as go o'er : Strange things I have in head, that will to hand ; Which must be acted ere they may be scann'd.
Pagina 24 - If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
Pagina 48 - Who was it that thus cried? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them, and smear The sleepy grooms with blood.
Pagina 35 - I throw my warlike shield : lay on, Macduff, And damn'd be him that first cries ' Hold, enough !
Pagina 61 - And descant on mine own deformity : And therefore — since I cannot prove a lover, To entertain these fair well-spoken days — I am determined to prove a villain, And hate the idle pleasures of these days. Plots have I laid, inductions dangerous, By drunken prophecies, libels, and dreams, To set my brother Clarence and the king In deadly hate the one against the other...
Pagina 45 - What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger, Take any shape but that, and my firm nerves Shall never tremble...
Pagina 120 - Know thus far forth. — By accident most strange, bountiful fortune, Now my dear lady,, hath mine enemies Brought to this shore : and by my prescience I find my zenith doth depend upon A most auspicious star ; whose influence If now I court not, but omit, my fortunes Will ever after droop.
Pagina 119 - But when the planets In evil mixture, to disorder wander, What plagues, and what portents ! what mutiny ! What raging of the sea ! shaking of earth ! Commotion in the winds ! frights, changes, horrors Divert and crack, rend and deracinate The unity and married calm of states Quite from their fixture...