 | Martha Gever, Pratibha Parmar, John Greyson - 1993 - 434 pagini
...historical fact, which the new cinematic discourses then represent, we should think, instead, of identity as a "production," which is never complete, always in...always constituted within, not outside, representation. But this view problematizes the very authority and authenticity to which the term, 'cultural identity',... | |
 | Leslie Devereaux, Roger Hillman - 1995 - 384 pagini
...Stuart Hall, a central figure in British cultural studies, argues that identity is a production that is never complete, always in process, and always constituted within, not outside, representation." Accordingly, these studies tend to focus on the creative aspects of cultural production, where questions... | |
 | Noliwe M. Rooks - 1996 - 180 pagini
...regimes such as hair straightening. Because, as Stuart Hall has stated, identity is a production that "is never complete, always in process, and always constituted within, not outside of representation,"14 their representations of African American women and the ways in which they chose... | |
 | Rosaleen Howard-Malverde - 1997 - 270 pagini
...accomplished fact, which the new cultural practices then represent, we should think, instead, of identity as a 'production' which is never complete, always in...always constituted within, not outside, representation. This view problematises the very authority and authenticity to which the term 'cultural identity' lays... | |
 | Jost Hindersmann - 1997 - 280 pagini
...herself, led by the narrating voice, illustrates Stuart Hall's claim that we should think of identity "as a 'production' which is never complete, always in...always constituted within, not outside, representation" (222). Goellnicht points out that "rather than thinking in binary terms of inside/outside, we should... | |
 | Matthias G. Kausch - 1998 - 426 pagini
...accomplished fact, which the new cultural practices then represent, we should think, instead, of identity as a 'production' which is never complete, always in...always constituted within, not outside, representation. (392) Der prozessuale Charakter der stets influx befindlichen kulturellen Identität führt die Bedeutung... | |
 | David McCrone - 1998 - 222 pagini
...accomplished fact, with the new cultural practices they represent, we should think instead of identity as 'production', which is never complete, always in process,...always constituted within, not outside, representation. This view problematises the very authority and authenticity to which the term 'cultural identity' lays... | |
 | Valerie Smith - 1998 - 196 pagini
...historical fact, which the new cinematic discourses then represent, we should think, instead, of identity as a "production," which is never complete, always in...process, and always constituted within, not outside, representation.10 But by staging a struggle between the false, whiteface, video image of Dexter, and... | |
 | Pheng Cheah, Bruce Robbins, Social Text Collective - 1998 - 398 pagini
...Hmong overseas has been an ongoing productive enterprise, one that, as Stuart Hall has phrased it, "is never complete, always in process, and always constituted within, not outside representation."6 Specifically, it has been elaborated out of the heightened exposure that has characterized... | |
 | Richard Guy Parker, Peter Aggleton - 1999 - 504 pagini
...thinking of identity as an already accomplished fact . . . we should think, instead, of identity as a 'production', which is never complete, always in...always constituted within, not outside, representation. (Hall, 1990, p. 222) Indeed, the 'fact' of an identity can be seen as dependent upon a large range... | |
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Perhaps instead of thinking of identity as an already accomplished fact, which the new cultural practices then represent, we should think, instead, of identity as a 'production' which is never complete, always in process, and always constituted within,... 
