The Playwright as Rebel: Collected Essays in Theatre HistoryBloomsbury Academic, 2001 - 279 pagini What was it about ancient Greece, Elizabethan England and Racine's 17th century France that made them particularly able to respond to and create the high points in tragic drama? Where do Molière's comedies spring from? Why was the Romantic Movement such a watershed in our cultural history, and why was Schiller so handicapped when he attempted to write tragedies? Why was the theatre so despised in England in the 18th and 19th centuries? |
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... recognisable dramatists . In what sense can they be considered rebels ? A rebel is someone dissatisfied with , and wishing to change , the accepted order of things . Even the most cursory look at the plays of the most conservative of ...
... recognisable echoes and allusions in Lope's poetry making these antecedents clear , and even more irritatingly reaching some of the high points of his verse . But it is no good interposing a twentieth - century desire for realism for ...
... recognisable situations which embodied these and inviting the audience to laugh at them . very faults , A criticism of Molière is that his characters do not develop . While they come vividly to life as recognisable individuals , they do ...
Cuprins
Introduction | 9 |
Euripides Medea and Sophocles Antigone | 37 |
Fuente Ovejuna and Lost in a Mirror | 58 |
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The Playwright as Rebel: Collected Essays in Theatre History Nicholas Dromgoole Vizualizare fragmente - 2001 |