Imperialism and musicManchester University Press, 1 mar. 2017 - 544 pagini |
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Pagina 5
... spirit of a place, a time or a nation. In the nineteenth century, some composers, such as Elgar, felt the need for both types: absolute and programme music. There are, however, those who believe that there really is no such thing as ...
... spirit of a place, a time or a nation. In the nineteenth century, some composers, such as Elgar, felt the need for both types: absolute and programme music. There are, however, those who believe that there really is no such thing as ...
Pagina 11
... spirit into works of higher culture. Since the national music of the Slavic and Scandinavian countries was strongly based on folk music, and since the Welsh, Irish and Scots were recognized to have strong folk traditions, there was a ...
... spirit into works of higher culture. Since the national music of the Slavic and Scandinavian countries was strongly based on folk music, and since the Welsh, Irish and Scots were recognized to have strong folk traditions, there was a ...
Pagina 20
... spirit of his grandfather', veteran Savoyard Henry Lytton calls him 'a warmhearted Irishman' and critic Hermann Klein talks of his 'Irish nature' and 'genuine Irish mother-wit'. 2 Sullivan was to acknowledge his Irish roots in his Irish ...
... spirit of his grandfather', veteran Savoyard Henry Lytton calls him 'a warmhearted Irishman' and critic Hermann Klein talks of his 'Irish nature' and 'genuine Irish mother-wit'. 2 Sullivan was to acknowledge his Irish roots in his Irish ...
Pagina 29
... spirit of majesty and greatness of an Empire. Just as the mighty Handel before him had composed special music for coronations, royal weddings, for peace celebrations, so did Sullivan carry anew his mantle and reflect in his notes the ...
... spirit of majesty and greatness of an Empire. Just as the mighty Handel before him had composed special music for coronations, royal weddings, for peace celebrations, so did Sullivan carry anew his mantle and reflect in his notes the ...
Pagina 46
... spirit of the whole work is intended to be high and pure joy: there are retrospective passages of sadness but the whole of the sorrow is smoothed out and ennobled in the last movement which ends in a calm, and I hope and intend ...
... spirit of the whole work is intended to be high and pure joy: there are retrospective passages of sadness but the whole of the sorrow is smoothed out and ennobled in the last movement which ends in a calm, and I hope and intend ...
Cuprins
1 | |
19 | |
44 | |
88 | |
Armistice Day and Empire Day | 152 |
exhibitions and festivals | 177 |
the Aldershot Tattoo | 211 |
opera operetta and ballet | 248 |
Sing a song of Empire | 324 |
the imperial hymn | 366 |
Imperial march | 411 |
the dominions musical tour of 1911 | 450 |
Dame Emma Albani Dame Nellie Melba Dame Clara Butt | 469 |
Peter Dawson | 495 |
Conclusion | 525 |
Index | 526 |
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Termeni și expresii frecvente
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