Imperialism and musicManchester University Press, 1 mar. 2017 - 544 pagini |
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Pagina 26
... scene which presented itself in the entrance hall: Hardly a colour that could be mentioned was absent from it. The Yeomen of the Guard, in their picturesque costume, were drawn up to the right and left; the pursuivants and heralds, in ...
... scene which presented itself in the entrance hall: Hardly a colour that could be mentioned was absent from it. The Yeomen of the Guard, in their picturesque costume, were drawn up to the right and left; the pursuivants and heralds, in ...
Pagina 31
... scene; Defend our people's union; God Save our Empire's Queen. It was published in 1880, but was not adopted as the national hymn. In 1897, for the Diamond Jubilee, he composed the official Jubilee Hymn, O, King of Kings, Whose Reign of ...
... scene; Defend our people's union; God Save our Empire's Queen. It was published in 1880, but was not adopted as the national hymn. In 1897, for the Diamond Jubilee, he composed the official Jubilee Hymn, O, King of Kings, Whose Reign of ...
Pagina 32
... scene, 'Britain's Glory', has a military procession, headed by the Grenadier Guards, the Royal Irish Regiment and ... scene are inescapable. They represent the fulfilment of the destiny predicted in the first scene – an imperial destiny ...
... scene, 'Britain's Glory', has a military procession, headed by the Grenadier Guards, the Royal Irish Regiment and ... scene are inescapable. They represent the fulfilment of the destiny predicted in the first scene – an imperial destiny ...
Pagina 44
... scene in the 1890s, was hailed as the greatest English composer since Purcell and, by 1910, had established for himself an international reputation. That reputation dipped after his death in 1934. This was not unusual; it regularly ...
... scene in the 1890s, was hailed as the greatest English composer since Purcell and, by 1910, had established for himself an international reputation. That reputation dipped after his death in 1934. This was not unusual; it regularly ...
Pagina 57
... scene at the close of the first of them – the one in D major. The people simply rose and yelled. I had to play it again – with the same result; in fact, they refused to let me go on with the programme. After considerable delay, while ...
... scene at the close of the first of them – the one in D major. The people simply rose and yelled. I had to play it again – with the same result; in fact, they refused to let me go on with the programme. After considerable delay, while ...
Cuprins
1 | |
19 | |
44 | |
88 | |
Armistice Day and Empire Day | 152 |
exhibitions and festivals | 177 |
the Aldershot Tattoo | 211 |
opera operetta and ballet | 248 |
Sing a song of Empire | 324 |
the imperial hymn | 366 |
Imperial march | 411 |
the dominions musical tour of 1911 | 450 |
Dame Emma Albani Dame Nellie Melba Dame Clara Butt | 469 |
Peter Dawson | 495 |
Conclusion | 525 |
Index | 526 |
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Termeni și expresii frecvente
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