Imperialism and musicManchester University Press, 1 mar. 2017 - 544 pagini |
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Pagina vii
... called white dominions, as the career of Peter Dawson neatly exemplifies. Sometimes it picked up the local colour of indigenous musical traditions, albeit converted for western ends. By the later nineteenth century, a world musicology ...
... called white dominions, as the career of Peter Dawson neatly exemplifies. Sometimes it picked up the local colour of indigenous musical traditions, albeit converted for western ends. By the later nineteenth century, a world musicology ...
Pagina x
... grant from the Scouloudi Foundation in association with the Institute of Historical Research. I am grateful to Kim Latham for compiling the index. CHAPTER ONE Meanings: Empire and music Far-called our navies melt [ x ] Acknowledgements.
... grant from the Scouloudi Foundation in association with the Institute of Historical Research. I am grateful to Kim Latham for compiling the index. CHAPTER ONE Meanings: Empire and music Far-called our navies melt [ x ] Acknowledgements.
Pagina 1
Jeffrey Richards. CHAPTER. ONE. Meanings: Empire. and. music. Far-called our navies melt away; On dune and headland sinks the fire Lo, all our pomp of yesterday Is one with Nineveh and Tyre So wrote Rudyard Kipling in the poem Recessional ...
Jeffrey Richards. CHAPTER. ONE. Meanings: Empire. and. music. Far-called our navies melt away; On dune and headland sinks the fire Lo, all our pomp of yesterday Is one with Nineveh and Tyre So wrote Rudyard Kipling in the poem Recessional ...
Pagina 3
... called it, is a quasi-syntactical structure of sound understandable solely in musical terms and having no semantic or representational content, no meaning, making reference to nothing beyond itself'.8 Roger Scruton has taken a similar ...
... called it, is a quasi-syntactical structure of sound understandable solely in musical terms and having no semantic or representational content, no meaning, making reference to nothing beyond itself'.8 Roger Scruton has taken a similar ...
Pagina 25
... called thee, O Lord' – and the Lamentations of Jeremiah: 'How doth the city sit solitary, that was so full of people.' It was all too plainly a lament for the state of France. Gounod conducted it in tears and the piece received a ...
... called thee, O Lord' – and the Lamentations of Jeremiah: 'How doth the city sit solitary, that was so full of people.' It was all too plainly a lament for the state of France. Gounod conducted it in tears and the piece received a ...
Cuprins
1 | |
19 | |
44 | |
88 | |
Armistice Day and Empire Day | 152 |
exhibitions and festivals | 177 |
the Aldershot Tattoo | 211 |
opera operetta and ballet | 248 |
Sing a song of Empire | 324 |
the imperial hymn | 366 |
Imperial march | 411 |
the dominions musical tour of 1911 | 450 |
Dame Emma Albani Dame Nellie Melba Dame Clara Butt | 469 |
Peter Dawson | 495 |
Conclusion | 525 |
Index | 526 |
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Termeni și expresii frecvente
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