The New Moulton's Library of Literary Criticism, Volumul 2Harold Bloom Chelsea House Publishers, 1985 - 650 pagini Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
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Pagina 758
... play within a play . It is supposed to be a play acted for the benefit of Sly the tinker , who is made to believe himself a lord , when he wakes after a drunken brawl . The character of Sly and the remarks with which he accompanies the ...
... play within a play . It is supposed to be a play acted for the benefit of Sly the tinker , who is made to believe himself a lord , when he wakes after a drunken brawl . The character of Sly and the remarks with which he accompanies the ...
Pagina 832
... play for the stage , is every whit as important as the creative genius which must breathe into its rough sketches of character the breath of poetry and life . One such play , which Shakespeare adapted and rewrote , has fortunately been ...
... play for the stage , is every whit as important as the creative genius which must breathe into its rough sketches of character the breath of poetry and life . One such play , which Shakespeare adapted and rewrote , has fortunately been ...
Pagina 858
... play ; verses with double endings are much more constant in the whole play than in almost any other of Shakespeare's works ; in the parts that appear genuine they stand in the proportion of two weak to seven strong endings , but in the ...
... play ; verses with double endings are much more constant in the whole play than in almost any other of Shakespeare's works ; in the parts that appear genuine they stand in the proportion of two weak to seven strong endings , but in the ...
Cuprins
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
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action actor admiration Æschylus appears Bacon beauty Ben Jonson Brutus Cæsar called character comedy Comedy of Errors comic Coriolanus critics death drama dramatist dream Duke effect English expression eyes Falstaff fancy feel genius give Hamlet hand hath heart Henry human imagination Johnson Juliet Julius Cæsar King language Lear learned less living Lord Love's Labour's Lost lovers Macbeth matter means Measure for Measure Midsummer Night's Dream mind moral nature never night noble Othello passages passion perhaps persons philosophy piece Plautus play poem poet poetic poetry Prince reader reason Richard Richard II Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sonnets soul speak speare speare's speech spirit stage story Stratford style sweet thing thou thought tion tragedy true truth Twelfth Night verse whole William Shakespeare words write youth