The New Moulton's Library of Literary Criticism, Volumul 2Harold Bloom Chelsea House Publishers, 1985 - 650 pagini Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
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Pagina 541
... observed many details of jovial society , might have conceived a Sir John , marked by rotundity of body , but could hardly have imagined what we call his rotundity of mind . We mean that the animal spirits of Falstaff give him an easy ...
... observed many details of jovial society , might have conceived a Sir John , marked by rotundity of body , but could hardly have imagined what we call his rotundity of mind . We mean that the animal spirits of Falstaff give him an easy ...
Pagina 587
... observations are to be considered not as unexcep- tionably constant , but as containing general and predominant truth ... observed , that in many of his plays the latter part is evidently neglected . When he found himself near the end of ...
... observations are to be considered not as unexcep- tionably constant , but as containing general and predominant truth ... observed , that in many of his plays the latter part is evidently neglected . When he found himself near the end of ...
Pagina 698
... observed that Shakespeare in no instance adopted the names of the dramatis persona of Whetstone , but this will not at all establish that he did not use Promos and Cassandra ; for Whetstone has in like manner varied from Cinthio , whose ...
... observed that Shakespeare in no instance adopted the names of the dramatis persona of Whetstone , but this will not at all establish that he did not use Promos and Cassandra ; for Whetstone has in like manner varied from Cinthio , whose ...
Cuprins
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
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action actor admiration Æschylus appears Bacon beauty Ben Jonson Brutus Cæsar called character comedy Comedy of Errors comic Coriolanus critics death drama dramatist dream Duke effect English expression eyes Falstaff fancy feel genius give Hamlet hand hath heart Henry human imagination Johnson Juliet Julius Cæsar King language Lear learned less living Lord Love's Labour's Lost lovers Macbeth matter means Measure for Measure Midsummer Night's Dream mind moral nature never night noble Othello passages passion perhaps persons philosophy piece Plautus play poem poet poetic poetry Prince reader reason Richard Richard II Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sonnets soul speak speare speare's speech spirit stage story Stratford style sweet thing thou thought tion tragedy true truth Twelfth Night verse whole William Shakespeare words write youth