Sonnets, Selected from English and American AuthorsHoughton Mifflin, 1916 - 113 pagini |
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Pagina v
... poem , than it is to us , for they were in the habit of accompanying this form of verse with music . Petrarch sang his own sonnets to the sound of the lute , and it was not unusual to hear the minstrels sing- ing them from street to ...
... poem , than it is to us , for they were in the habit of accompanying this form of verse with music . Petrarch sang his own sonnets to the sound of the lute , and it was not unusual to hear the minstrels sing- ing them from street to ...
Pagina vi
... poem appear neater , but as transition that would render the logic more apparent . Moreover , the rigid rhyme scheme aided this use of pause in the careful blocking out of thought . The quatrains , abba abba , were alike and held ...
... poem appear neater , but as transition that would render the logic more apparent . Moreover , the rigid rhyme scheme aided this use of pause in the careful blocking out of thought . The quatrains , abba abba , were alike and held ...
Pagina viii
... poem deriving part of its charm and power from the fact that the form is conven- tional and familiar to the ear of the reader , no one of these erratic rhyme schemes has found many followers . The mod- ern sonnet remains , with few ...
... poem deriving part of its charm and power from the fact that the form is conven- tional and familiar to the ear of the reader , no one of these erratic rhyme schemes has found many followers . The mod- ern sonnet remains , with few ...
Pagina ix
... poem argue that the poets evolved it by working upon Arabic models at the court of William II of Sicily ( 1166–89 ) , whose devotion to Arab literature made his court a center of that study , and that it continued to flourish at the ...
... poem argue that the poets evolved it by working upon Arabic models at the court of William II of Sicily ( 1166–89 ) , whose devotion to Arab literature made his court a center of that study , and that it continued to flourish at the ...
Pagina x
... poem , Pattison is certainly right when he says , " The sonnet - both thing and name comes to us from the Italian . " 2 And it came not by accident or unconscious imitation , but brought by the poets Thomas Wyatt ( 1503-1642 ) and the ...
... poem , Pattison is certainly right when he says , " The sonnet - both thing and name comes to us from the Italian . " 2 And it came not by accident or unconscious imitation , but brought by the poets Thomas Wyatt ( 1503-1642 ) and the ...
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beauty behold beneath birds blood breath bright Christina G cloud Company Dante Gabriel Rossetti dark dead dear death deep door dost doth dream earth Edmund Spenser Elizabeth Barrett Browning English eternal eyes face fair feet flowers gaze glorious grace hand hast hath hear heard heart heaven Henry Wadsworth Longfellow hour immortal Italian John Keats John Milton land leaves life's lines lips lone look Lord love thee love's mighty moon murmur never night o'er pale passion pause permission Petrarch Philip Bourke Marston poets praise publishers Reprinted from Poems rhyme scheme round sestet shadows shine sight silence sing sleep smile song sonnet sorrow soul sound Spenser Spring stars summer Surrey sweet tears Theodore Watts-Dunton thine things thou art thought trembling verse voice weary weep wild William Lisle Bowles William Shakespeare William Wordsworth wind wings Wyatt