Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Rezultatele 1 - 3 din 27
Pagina 8-5
... understand Shakespeare than any of our predecessors . This is not merely an assumption of the Shakespeare critic , or of the literary critic in general , but the assumption implicit in all historical study : that we understand the past ...
... understand Shakespeare than any of our predecessors . This is not merely an assumption of the Shakespeare critic , or of the literary critic in general , but the assumption implicit in all historical study : that we understand the past ...
Pagina 8-260
... understanding ; obviously , the problem touches on the whole con- geries of issues connected with social and ... understand the variations in what people of different psychological types actually hear when they listen to music ...
... understanding ; obviously , the problem touches on the whole con- geries of issues connected with social and ... understand the variations in what people of different psychological types actually hear when they listen to music ...
Pagina 8-261
... understand the role of any communication medium in isolation from the other media and from other leisure activities , any more than we can understand individual manipulation of the materials in the media without understanding the group ...
... understand the role of any communication medium in isolation from the other media and from other leisure activities , any more than we can understand individual manipulation of the materials in the media without understanding the group ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing