Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-40
... tion of Macbeth or of a Roman play would be dressed neither with historical accuracy , nor in merely contemporary costume ; but that a sort of ' fancy dress ' would be employed , contemporary in essentials , yet suggestive in detail of ...
... tion of Macbeth or of a Roman play would be dressed neither with historical accuracy , nor in merely contemporary costume ; but that a sort of ' fancy dress ' would be employed , contemporary in essentials , yet suggestive in detail of ...
Pagina 8-84
... tion predominates : remote and detached for ' thinking aloud ' ; intimate and confidential for direct address . Probably a combina- tion of the two would , in most instances , be truest to the original situation . There are two types of ...
... tion predominates : remote and detached for ' thinking aloud ' ; intimate and confidential for direct address . Probably a combina- tion of the two would , in most instances , be truest to the original situation . There are two types of ...
Pagina 8-205
... tion , whereas the act of producing a song - hit still remains in a handicraft stage . The production of popular music is highly cen- tralized in its economic organization , but still " individualistic " in its social mode of production ...
... tion , whereas the act of producing a song - hit still remains in a handicraft stage . The production of popular music is highly cen- tralized in its economic organization , but still " individualistic " in its social mode of production ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing