Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina viii
... thought . Multi- consciousness enables an audience to respond to the ' mingling of naturalism and conventionalism ' ( p . 59 ) and to ' the representational and the symbolic ' ( p . 103 ) . Perhaps more surprising still , it is possible ...
... thought . Multi- consciousness enables an audience to respond to the ' mingling of naturalism and conventionalism ' ( p . 59 ) and to ' the representational and the symbolic ' ( p . 103 ) . Perhaps more surprising still , it is possible ...
Pagina 8-70
... thought , whose murder yet is but fantastical , Shakes so my single state of man that function Is smother'd in ... thoughts , Cannot once start me . ( v . v . 9 ) A novelist would write in such terms about his villain , but no villain ...
... thought , whose murder yet is but fantastical , Shakes so my single state of man that function Is smother'd in ... thoughts , Cannot once start me . ( v . v . 9 ) A novelist would write in such terms about his villain , but no villain ...
Pagina 8-111
... thought in image , so that metaphor packs into metaphor , producing the most surprising collocations of apparently diverse phenomena : he thought of time , and death , and eternity , in terms of a candle , a shadow , and an actor . Is ...
... thought in image , so that metaphor packs into metaphor , producing the most surprising collocations of apparently diverse phenomena : he thought of time , and death , and eternity , in terms of a candle , a shadow , and an actor . Is ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
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accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing