Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 38
Pagina 8-110
... taken seriously in those days : by the elder members of a congregation they would be well criticised and discussed , while grammar - school boys of the period had even to memorise them for reproduction on Monday morn- ings without book ...
... taken seriously in those days : by the elder members of a congregation they would be well criticised and discussed , while grammar - school boys of the period had even to memorise them for reproduction on Monday morn- ings without book ...
Pagina 8-123
... Taken literally this would contradict all descriptions of her beauty : wrinkles were no more admired in Shakespeare's day than now ; and sunburn , strangely enough , was regarded as a serious blemish : The Grecian dames are sunburnt and ...
... Taken literally this would contradict all descriptions of her beauty : wrinkles were no more admired in Shakespeare's day than now ; and sunburn , strangely enough , was regarded as a serious blemish : The Grecian dames are sunburnt and ...
Pagina 8-150
... taken as an unfortunate interpolation due to the players ' excess of zeal , he would have taken steps that this should be quite clearly under- stood . Similarly with the behaviour of Claudius . If Shakespeare had intended Claudius not ...
... taken as an unfortunate interpolation due to the players ' excess of zeal , he would have taken steps that this should be quite clearly under- stood . Similarly with the behaviour of Claudius . If Shakespeare had intended Claudius not ...
Cuprins
CONVENTIONALISM AND NATURALISM | 8-9 |
PLANES OF REALITY | 8-27 |
ANACHRONISM AND THE TREATMENT OF TIME | 8-38 |
Drept de autor | |
12 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
accept actor actual Antony and Cleopatra artists attention attitude audience aware become burlesque Caesar character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism dialogue Dover Wilson dramatic illusion dual consciousness dumb-show Elizabethan entertainment experience expressed Falstaff feeling film glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius L. C. Knights Lear listener lyricist Macbeth means melody mind modern multi-consciousness music hall music-hall music-hall songs naturalistic nature never night Othello pantomime passage patriotic performance play play-world and real Player's speech players plugging poetry popular drama popular music popular song present production Professor Schücking psychological real world recognition reference Renaissance Roman scene serious music Shakespeare significance social speak stage standardization story suggestion symbolic taste theatre theme thou thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing